Emmerich Kálmán, Grosses Operetten Orchester, Franz Marszalek made "Gräfin Mariza - Operetta in 3 Acts: Can Can" available on January 1, 1993. With Gräfin Mariza - Operetta in 3 Acts: Can Can being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Emmerich Kálmán, Reinhold Bartel, Rita Bartos, Benno Kusche, Herta Talmar, Willi Hofmann, Renate Holm, Peter Alexander, Chor, Grosses Operetten Orchester, Franz Marszalek's "Gräfin Mariza - Die Csárdásfürstin - Die Zirkusprinzessin" album is number 11 out of 32. On top of that, Germany appears to be the country where this track was created. Gräfin Mariza - Operetta in 3 Acts: Can Can is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Gräfin Mariza - Operetta in 3 Acts: Can Can by Emmerich Kálmán, Grosses Operetten Orchester, Franz Marszalek to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Två mörka ögon | Julius Brammer, Alfred Guillaume Grünwald, Emmerich Kálmán, Erland Hagegård, Symfoniorkestern Norrköping, Jorma Panula | C Major | 3 | 8B | 94 BPM | ||
Carmen Suite No. 1: Entr'acte (Act III) | Georges Bizet, Willem van Otterloo, Residentie Orkest | E♭ Major | 4 | 5B | 98 BPM | ||
Freikugeln Op. 326 (Polka) | Johann Strauss Orchester | B♭ Major | 4 | 6B | 158 BPM | ||
Straus: Manon: "Ich bin eine Frau, die weiß, was sie will" (Manon) | Oscar Straus, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
Il Bacio | Luigi Arditi, Olga Peretyatko, Enrique Mazzola | D Major | 1 | 10B | 96 BPM | ||
Kanon Galop (1853) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Major | 4 | 12B | 150 BPM | ||
Elisabetta, regina d'inghilterra: Sinfonia | Gioachino Rossini, Cracow Philharmonic Orchestra, Antonino Fogliani | E Major | 7 | 12B | 119 BPM | ||
Immer nur lächeln - aus „Das Land des Lächelns“ | Rudolf Schock | D Major | 1 | 10B | 80 BPM | ||
Zar & Zimmermann: Greifet an und rührt die Hände | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | F Major | 4 | 7B | 129 BPM | ||
Kleiner Anzeiger | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | E♭ Major | 4 | 5B | 146 BPM |
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