"Petite messe solennelle: Petite messe solennelle: Prélude religieux (pendant l'Offertoire)" by Gioachino Rossini, Philip Mayers, Phillip Moll was released on 2001. Since Petite messe solennelle: Petite messe solennelle: Prélude religieux (pendant l'Offertoire) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 19 in the song's album "Rossini: Petite messe solennelle". In this album, this song's track order is #15. Based on our statistics, Petite messe solennelle: Petite messe solennelle: Prélude religieux (pendant l'Offertoire)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Petite messe solennelle: Petite messe solennelle: Prélude religieux (pendant l'Offertoire) by Gioachino Rossini, Philip Mayers, Phillip Moll having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristan und Isolde, WWV 90 / Act 3: "Mild und leise wie er lächelt" (Isoldes Liebestod) (Isolde) | Richard Wagner, Wiener Philharmoniker, Karl Böhm | A Major | 4 | 11B | 98 BPM | ||
Il barbiere di Siviglia / Act 1: No. 4 Duetto: "All'idea di quel metallo" | Gioachino Rossini, Luigi Alva, Hermann Prey, London Symphony Orchestra, Claudio Abbado | G Major | 3 | 9B | 133 BPM | ||
Kreisleriana, Op.16: 3. Sehr aufgeregt | Robert Schumann, Martha Argerich | G Minor | 0 | 6A | 64 BPM | ||
3 Romances, Op. 11: No. 2, Andante - Allegro passionato | Clara Schumann, Isata Kanneh-Mason | G Minor | 0 | 6A | 64 BPM | ||
Concerto for Oboe and Small Orchestra in D Major, Op. 144: I. Allegro moderato | Richard Strauss, François Leleux, Swedish Radio Symphony Orchestra, Daniel Harding | D Major | 2 | 10B | 133 BPM | ||
Mozart: Flute Sonata in E Minor, K. 304: II. Tempo di menuetto (Transcr. of Violin Sonata) | Wolfgang Amadeus Mozart, Emmanuel Pahud, Eric Le Sage | E Minor | 1 | 9A | 119 BPM | ||
Ein deutsches Requiem, Op.45: 5. Solo (Sopran) und Chor: "Ihr habt nun Traurigkeit" | Johannes Brahms, Barbara Hendricks, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | G Major | 0 | 9B | 92 BPM | ||
La liberazione di Ruggiero dall'isola d'Alcina, Scene 4: Ballo ("Il cavalier di Spagna" by Magistro Rofino) | Francesca Caccini, Allabastrina, La Pifarescha, Elena Sartori | F Major | 2 | 7B | 116 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM |
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