- BPM
- 133
- Key
- E Major
- Camelot
- 12B
Haze of Noon - William Alwyn, Ashley Wass Information
- Acousticness
- 99%
- Danceability
- 34%
- Energy
- 7%
- Instrumentalness
- 94%
- Liveness
- 9%
- Loudness
- 57%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 1%
- Loudness
- -25.805 dB
Summary
"Haze of Noon" by William Alwyn, Ashley Wass was released on December 11, 2007. The duration of Haze of Noon is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Haze of Noon's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 31 in Alwyn: Piano Music, Vol. 1 by William Alwyn, Ashley Wass. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Haze of Noon's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Haze of Noon BPM
The tempo marking of Haze of Noon by William Alwyn, Ashley Wass is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Haze of Noon Key
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Mother and Child: No. 3. Hope (arr. J. Lloyd Webber for cello and piano) | John Ireland, Julian Lloyd Webber, John Lenehan | E Minor | 0 | 9A | 99 BPM | |
 | Gnossiennes: No. 2 - Avec étonnement | Erik Satie, Pascal Rogé | D Minor | 0 | 7A | 67 BPM | |
 | Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | |
 | Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | |
 | Norske folkeviser og folkedanse, Op. 33 (Excerpts): No. 6, Springdans | Agathe Backer Grøndahl, Sara Aimée Smiseth | A Major | 1 | 11B | 73 BPM | |
 | Prelude for Cello & Piano | Ernest John Moeran, Gerald Peregrine, Antony Ingham | E Major | 0 | 12B | 93 BPM | |
 | Prelude and Fugue on an Indian Scale: Fugue | William Alwyn, Ashley Wass | E Major | 1 | 12B | 133 BPM | |
 | Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | |
 | Five English Nursery Tunes: IV. Curly Locks | Hubert Clifford, Martyn Brabbins, BBC Philharmonic | B♭ Major | 0 | 6B | 74 BPM | |
 | Nocturne No. 7 in Eb Major, FP. 56 | Francis Poulenc, Belle Chen | F Minor | 1 | 4A | 76 BPM |
- ISRC
- HKI190773608
- Label
- L-M Records/RCA Records
Section: 0.5827329158782959
End: 0.585960865020752