"Magnificat" by Giles Swayne, Choir of King's College, Cambridge, Stephen Cleobury had its release date on June 1, 2015. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 13 in Evensong Live 2015 by Stephen Cleobury, Choir of King's College, Cambridge. In terms of popularity, Magnificat is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Magnificat by Giles Swayne, Choir of King's College, Cambridge, Stephen Cleobury is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abstracts and a Frame: III. Poco esitando ... rapido | Nicola LeFanu, Malu Lin, Giles Swayne | D♭ Major | 0 | 3B | 124 BPM | ||
Der Mensch lebt und bestehet nur eine kleine Zeit | Max Reger, Vienna Chamber Choir, Michael Grohotolsky | C Major | 1 | 8B | 97 BPM | ||
Shir | Paolo Spoladore | E Major | 2 | 12B | 129 BPM | ||
27 2- and 3- Part Choruses, BB 111, Vol. 3: No. 1. Ne menj el (Don't Leave Me) | Béla Bartók, Schola Hungarica, László Dobszay | B♭ Minor | 0 | 3A | 76 BPM | ||
Virga Jesse, WAB 52 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 69 BPM | ||
Preces and Responses | Joanna Forbes L'Estrange, London Voices, Grace Davidson, Ben Parry | D Major | 1 | 10B | 80 BPM | ||
Stations of the Cross, Book I, Op. 96: II. Jesus Takes up the Cross | Giles Swayne, Simon Nieminski | B♭ Minor | 1 | 3A | 68 BPM | ||
Restless | Philippine Madrigal Singers, Mark Anthony Carpio, Francisco F. Feliciano, Beth Nacion | B♭ Major | 1 | 6B | 79 BPM | ||
I Look into My Glass | Giles Swayne, Benjamin Hulett, Antonis Hatzinikolaou | C Minor | 0 | 5A | 77 BPM | ||
Sept chansons - La Blanche Neige | Laurence Equilbey, Accentus, Francis Poulenc | D Minor | 1 | 7A | 78 BPM |