"Suite española, Op. 47: Asturias (Leyenda)" by Isaac Albéniz, Pepe Romero was released on January 1, 1983. Suite española, Op. 47: Asturias (Leyenda) is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. There are a total of 13 in the song's album "Tárrega: Recuerdos de la Alhambra / Albéniz: Asturias / Jeux Interdits". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Suite española, Op. 47: Asturias (Leyenda)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite española, Op. 47: Asturias (Leyenda) by Isaac Albéniz, Pepe Romero having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Suite No. 1 In G major, BWV 1007 : I. Prelude, Moderato | Pablo Casals | G Major | 2 | 9B | 65 BPM | ||
Elegie: Elegy | Johann Kaspar Mertz, Gabriel Bianco | A Minor | 0 | 8A | 133 BPM | ||
Aires de la Mancha: 3. Coplilla | Federico Moreno Torroba, Pepe Romero | E Major | 1 | 12B | 97 BPM | ||
Fantasy for Guitar Op. 107: III. Arietta 1 | Malcolm Arnold, Sean Shibe | D Major | 0 | 10B | 109 BPM | ||
Diverse bizzarrie sopra la Vecchia Sarabanda ò pur Ciaccona | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 3 | 1B | 79 BPM | ||
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM | ||
Concerto in D Major, RV 93: II. Largo | Antonio Vivaldi, Sharon Isbin, Howard Griffiths, Zürcher Kammerorchester | D Major | 2 | 10B | 129 BPM | ||
Ketèlbey: In a Persian Market (Intermezzo-Scene) | Albert Ketèlbey, John Lanchbery, Ambrosian Singers, Philharmonia Orchestra | F Major | 2 | 7B | 127 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Concerto for Harp In B-Flat Major, Op. 4, No 6 HWV 294: I. Andante allegro | George Frideric Handel, Valérie Milot, Bernard Labadie | B♭ Major | 0 | 6B | 94 BPM |
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