Sofia Gubaidulina, Harri Ahmas, Osmo Vänskä, Sinfonia Lahti Chamber Ensemble's 'Concerto for Bassoon and Strings (1975): Second Movement' had a release date set for March 11, 2014. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 35 out of 50 in Best - Sofia Gubaidulina by Sofia Gubaidulina, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Concerto for Bassoon and Strings (1975): Second Movement's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Concerto for Bassoon and Strings (1975): Second Movement by Sofia Gubaidulina, Harri Ahmas, Osmo Vänskä, Sinfonia Lahti Chamber Ensemble is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bagatelles, Op. 47, B. 79: No. 2, Tempo di minuetto. Grazioso | Antonín Dvořák, Ralph Evans, Efim Boico, Niklas Schmidt, Ryoko Morooka | G Major | 1 | 9B | 116 BPM | ||
Last Days, Act 1, Scene 3: Blake Listens to Opera | Oliver Leith, Jack Sheen, 12 Ensemble, GBSR Duo | E♭ Minor | 1 | 2A | 83 BPM | ||
Umi e (Toward the Sea): II - Moby Dick | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | D♭ Major | 0 | 3B | 74 BPM | ||
Apparition de l'Église éternelle | Olivier Messiaen, Olivier Latry | F Major | 1 | 7B | 64 BPM | ||
The Canticle Of The Sun: Glorification Of The Creator, And His Creations: The Sun And The Moon - Live | Sofia Gubaidulina, Nicolas Altstaedt, Andrei Pushkarev, Rihards Zalupe, Rostislav Krimer, Māris Sirmais, Chamber Choir Kamēr... | A Major | 3 | 11B | 82 BPM | ||
Saegirarenai kyusoku (Uninterrupted Rest): III. A song of love | Toru Takemitsu, Kotaro Fukuma | G Major | 0 | 9B | 0 BPM | ||
Schnittke: Cello Sonata No. 1, Op. 129: I. Largo | Alfred Schnittke, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
Twelve Preludes For Piano (1953): I | Galina Ustvolskaya, Marianne Schroeder | D Minor | 0 | 7A | 68 BPM | ||
Prelude For Meditation | John Cage, Alexei Lubimov | D Major | 0 | 10B | 140 BPM | ||
Quatuor pour la fin du Temps: III. Abîme des oiseaux | Olivier Messiaen, Martin Fröst | G Major | 0 | 9B | 131 BPM |