On July 29, 2008, the song "Brahms: Wiegenlied (Lullaby)" was released by Johannes Brahms, Yuri Bashmet, Mikhail Muntian. With Brahms: Wiegenlied (Lullaby) being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Reminiscences". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Brahms: Wiegenlied (Lullaby)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Brahms: Wiegenlied (Lullaby) by Johannes Brahms, Yuri Bashmet, Mikhail Muntian having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deux arabesques, L. 74 (Arr. For Cello And Piano By Olivier Hébert-Bouchard): Arabesque No. 1 In E Minor: Andantino con moto | Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard | A Major | 2 | 11B | 99 BPM | ||
Concerto for cello and orchestra no. 1 in A Minor, Op. 14: I. Allegro moderato | Georg Goltermann, Jamal Aliyev, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | A Major | 2 | 11B | 140 BPM | ||
Mendelssohn: 6 Lieder, Op. 1: No. 3 Warum sind denn die Rosen so blass | Fanny Mendelssohn, Emmanuel Pahud, Eric Le Sage | A Minor | 1 | 8A | 93 BPM | ||
Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
The Swans glide on the Bishop's Moat | John Graves, Steven Isserlis, Stephen Hough | A Minor | 0 | 8A | 74 BPM | ||
Cantabile in D Major, Op. 17 | Niccolò Paganini, 東 亮汰, 髙木竜馬 | G Minor | 1 | 6A | 90 BPM | ||
Suite for Violin and Piano: III | Johanna Beyer, Miwako Abe, Michael Kieran Harvey | A♭ Major | 0 | 4B | 0 BPM | ||
4 Lieder, Op. 96: 死、それは涼しい夜 作品96-1 | Johannes Brahms, 佐藤晴真, 大伏啓太 | E Minor | 3 | 9A | 63 BPM | ||
Sonata for Cello and Piano in G Minor, Op.19: II. Allegro scherzando | Sergei Rachmaninoff, John-Henry Crawford, Victor Santiago Asuncion | A♭ Major | 1 | 4B | 87 BPM | ||
Romantic Pieces, Op.75, Allegro appassionato | アントニーン・ドヴォルザーク, KIM NAYOUNG | B♭ Major | 2 | 6B | 138 BPM |
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