"Prelude, Adagio et Choral varie sur le theme du Veni Creator, Op. 4: I. Prelude" by Maurice Duruflé, Kristian Krogsøe was released on September 1, 2012. Since Prelude, Adagio et Choral varie sur le theme du Veni Creator, Op. 4: I. Prelude is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 26 in Durufle: Complete Organ Works, Motets, Requiem by Maurice Duruflé, Kristian Krogsøe, Carsten Seyer-Hansen. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. Prelude, Adagio et Choral varie sur le theme du Veni Creator, Op. 4: I. Prelude is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prelude, Adagio et Choral varie sur le theme du Veni Creator, Op. 4: I. Prelude by Maurice Duruflé, Kristian Krogsøe is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St Anne’s Mass: III. Sanctus | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 76 BPM | ||
A brief story of Peter Abelard (verson for soprano saxophone and organ) | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | B♭ Minor | 1 | 3A | 68 BPM | ||
Veni Creator, Op. 4: I. Prélude | Maurice Duruflé, Piet van der Steen | D♭ Major | 0 | 3B | 85 BPM | ||
Mass No. 2 in E Minor, WAB 27: Kyrie | Anton Bruckner, SWR Vokalensemble Stuttgart, WDR Sinfonieorchester Köln, Marcus Creed | F♯ Major | 1 | 2B | 133 BPM | ||
Fünf Gesänge, Op. 104: II. Nachtwache II | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | D Minor | 0 | 7A | 86 BPM | ||
Hosanna to the Son of David | Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | B♭ Minor | 2 | 3A | 132 BPM | ||
Crossing the Bar | Hubert Parry, Choir of Jesus College, Cambridge, Mark Williams | D Major | 1 | 10B | 70 BPM | ||
Give us the wings of faith | James Whitbourn, Westminster Williamson Voices, Ken Cowan, James Jordan | A Minor | 2 | 8A | 85 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Liturgical Chants: 4 Spiritual Songs: Alleluia | Valentin Silvestrov, Ieva Ezeriete, Karlis Rutentals, Dace Strautmane, Latvian Radio Choir, Sigvards Kļava | G Major | 0 | 9B | 128 BPM |
Section: 0.6078076362609863
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