"K.K. Hofburgtheater Vorhang auf (Live) (From "Rudolf - Affaire Mayerling") - From "Rudolf - Affaire Mayerling"" by Original Cast Vienna was released on February 11, 2011. With this song being about 5 minutes long, at 4:41, "K.K. Hofburgtheater Vorhang auf (Live) (From "Rudolf - Affaire Mayerling") - From "Rudolf - Affaire Mayerling"" by Original Cast Vienna is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 40 in the song's album "Rudolf - Affaire Mayerling / Gesamtaufnahme (Live)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Austria. In terms of popularity, K.K. Hofburgtheater Vorhang auf (Live) (From "Rudolf - Affaire Mayerling") - From "Rudolf - Affaire Mayerling" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With K.K. Hofburgtheater Vorhang auf (Live) (From "Rudolf - Affaire Mayerling") - From "Rudolf - Affaire Mayerling" by Original Cast Vienna having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sie war gewohnt, geliebt zu werden (Live) | Orchester der Vereinigten Bühnen Wien, Willemijn Verkaik, Boris Pfeifer | E♭ Major | 8 | 5B | 81 BPM | ||
Milady ist zurück (From the Musical " 3 Musketiere " ) | Michaela Schober | F Major | 6 | 7B | 87 BPM | ||
Warte Noch | Gino Emnes, Original Hamburg Cast of Hamilton | E♭ Major | 3 | 5B | 74 BPM | ||
Rondo - schwarzer Prinz | Jubiläumscast Wien 2012 | D♭ Major | 3 | 3B | 136 BPM | ||
Was ich auch tu, ist falsch | Wietske van Tongeren | D Major | 4 | 10B | 78 BPM | ||
Die Zeiten sind hart | Spotlight Musicals, Dorothea Maria Müller, Leon van Leeuwenberg, Claudius Ruppel, Ensemble Originalcast Fulda 2016 | B♭ Minor | 4 | 3A | 132 BPM | ||
Blut in den Kiemen | Alexander Goebel, Barbara Obermeier, Sanne Mieloo, BJÖRN KLEIN, Anouk Roolker, Ensemble Wien | D Major | 5 | 10B | 126 BPM | ||
Ein Mädchen, das so lächeln kann | Jim Steinman, Original Cast Vienna, Orchester der Vereinigten Bühnen Wien | G Major | 4 | 9B | 103 BPM | ||
Entrechtet, Geächtet, so Gut Wie Tot | Johanna Zett, Dennis Henschel, Thomas Christ, André Haedicke | G Minor | 3 | 6A | 119 BPM | ||
Hey, Schwester | Ensemble Operettenhaus Hamburg | E♭ Major | 6 | 5B | 176 BPM |
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