Orchester der Vereinigten Bühnen Wien, Willemijn Verkaik, Boris Pfeifer's 'Sie war gewohnt, geliebt zu werden (Live)' came out on November 18, 2022. With this song being about 5 minutes long, at 5:06, "Sie war gewohnt, geliebt zu werden (Live)" by Orchester der Vereinigten Bühnen Wien, Willemijn Verkaik, Boris Pfeifer is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 45 in the song's album "Rebecca (Gesamtaufnahme Live - Neue Wiener Fassung 2022)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Austria. Sie war gewohnt, geliebt zu werden (Live) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sie war gewohnt, geliebt zu werden (Live) by Orchester der Vereinigten Bühnen Wien, Willemijn Verkaik, Boris Pfeifer having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Frau, die er liebt | Marie Antoinette (Original Soundtrack) | D Major | 7 | 10B | 174 BPM | ||
Trag´ es wie ein Mann | Jörg Neubauer, Barbara Obermeier, Ensemble Wien | B Major | 4 | 1B | 126 BPM | ||
Les Misérables: Der Erste Angriff | Original German Cast "Les Miserables" | F Major | 5 | 7B | 90 BPM | ||
Chim Chim Cher-I (Reprise) | Original Cast Wien | D♭ Minor | 3 | 12A | 134 BPM | ||
Wieder mal am Marterpfahl | Ensemble Theater des Westens | E♭ Major | 4 | 5B | 84 BPM | ||
So viel besser | Barbara Obermeier, Ensemble Wien | D Major | 8 | 10B | 152 BPM | ||
Strandgut (Live) | Orchester der Vereinigten Bühnen Wien, Ensemble der Vereinigten Bühnen Wien, Nienke Latten, James Park, Boris Pfeifer | E♭ Major | 8 | 5B | 81 BPM | ||
Mrs Banks zu sein | Original Cast Wien | C Major | 3 | 8B | 59 BPM | ||
Es fühlt sich nach Heimat an - Finale | Spotlight Musicals, Reinhard Brussmann, Friedrich Rau, Sabrina Weckerlin, Andreas Wolfram, Dorothea Maria Müller, Lutz Standop, Devi-Ananda Dahm, Leon van Leeuwenberg, Sebastian Lohse, Ensemble Originalcast Fulda 2016 | D Major | 5 | 10B | 77 BPM | ||
Du kannst es dir merken | Wlad, Dimitri, Anja | B Major | 4 | 1B | 131 BPM |
Section: 0.44946742057800293
End: 0.45461153984069824