"Octonaires de la vanité du monde, Livre 2: 19. Plustost les yeux du firmament" by Paschal de l'Estocart, Ensemble Clément Janequin, Dominique Visse was released on July 31, 2007. The duration of Octonaires de la vanité du monde, Livre 2: 19. Plustost les yeux du firmament is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Octonaires de la vanité du monde, Livre 2: 19. Plustost les yeux du firmament's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Paschal De L'Estocart: Octonaires de la vanité du monde". In this album, this song's track order is #12. Furthermore, we believe that the track originated from France. The popularity of Octonaires de la vanité du monde, Livre 2: 19. Plustost les yeux du firmament is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Octonaires de la vanité du monde, Livre 2: 19. Plustost les yeux du firmament by Paschal de l'Estocart, Ensemble Clément Janequin, Dominique Visse having a BPM of 177 with a half-time of 88 BPM and a double-time of 354 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viderunt omnes: ...fines terre salutare dei nostri jubilate deo omnis terra (plainchant) | Pérotin, Tonus Peregrinus, Antony Pitts | A♭ Major | 2 | 4B | 111 BPM | ||
Delitiae testudinis Suite No. 13 in E-Flat Major: IV. Sarabanda | Esaias Reusner, Paul Beier | D Major | 0 | 10B | 94 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | ||
Dulces exuviae | Marbrianus de Orto, Capilla Flamenca, Patrick Denecker | A Minor | 2 | 8A | 67 BPM | ||
Crucifixus a 5 | Antonio Lotti, Contrapunctus, Owen Rees | G Major | 1 | 9B | 139 BPM | ||
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM | ||
Terpsichore*: a. Volte b. Volte c. Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 2 | 9B | 105 BPM | ||
Diferencias sobre la Gallarda Milanesa (arr. for instrumental ensemble) | Antonio de Cabezón, Accentus Ensemble, Thomas Wimmer | E Major | 1 | 12B | 130 BPM | ||
Ode en douze parties: VIII. Son ascension au ciel, et le fruict d'icelle | Paschal de l'Estocart, Marc Busnel, Catherine Greuillet, Hugues Primard, Sophie Toussaint | B♭ Major | 1 | 6B | 67 BPM | ||
Lassus: Alma Redemptoris Mater | Orlande de Lassus, Peter Phillips, The Tallis Scholars | B♭ Major | 1 | 6B | 69 BPM |
Section: 0.6039218902587891
End: 0.606849193572998