"O Come, O Come, Emmanuel (arr. L. Anderson)" by Leroy Anderson, Traditional, College of New Jersey Wind Ensemble, William Silvester was released on September 6, 2011. The duration of O Come, O Come, Emmanuel (arr. L. Anderson) is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. O Come, O Come, Emmanuel (arr. L. Anderson)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Winds of the Season by William Silvester. The song's track number on the album is #9 out of 27 tracks. Based on our statistics, O Come, O Come, Emmanuel (arr. L. Anderson)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since O Come, O Come, Emmanuel (arr. L. Anderson) by Leroy Anderson, Traditional, College of New Jersey Wind Ensemble, William Silvester has a tempo of 134 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With O Come, O Come, Emmanuel (arr. L. Anderson) being at 134 BPM, the half-time would be 67 BPM with a double-time of 268 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Radetzky-March, Op. 228 | Johann Strauss I, Hungarian State Orchestra, Janos Ferencsik | A Major | 3 | 11B | 102 BPM | ||
Pyramid Dance (Heart Of Stone) - From "Goldilocks" Musical | Leroy Anderson | B♭ Minor | 3 | 3A | 77 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Triglav, Op. 72 | Julius Fučík, Tschechische Philharmonie, Václav Neumann | G Major | 5 | 9B | 122 BPM | ||
Die Libelle, Op. 204 | Josef Strauss, Carlos Kleiber, Wiener Philharmoniker | G Major | 1 | 9B | 85 BPM | ||
Marylin | Frank Chacksfield | C Major | 3 | 8B | 157 BPM | ||
High Noon - Theme | Dimitri Tiomkin | E♭ Major | 1 | 5B | 136 BPM | ||
Binge: Elizabethan Serenade, "The Man in the Street" | Ronald Binge, Reginald Kilbey, Studio 2 Symphony Orchestra | F Major | 1 | 7B | 149 BPM | ||
Bomarzo | Gianluca Podio | C Major | 3 | 8B | 118 BPM | ||
Songs Without Words: Frühlingslied, Op. 62 in A Major: Allegro grazioso | Felix Mendelssohn, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra | A Major | 3 | 11B | 89 BPM |
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