Heitor Villa-Lobos, Flavio Cucchi's '5 Preludes, W419: No. 2 in E Major' came out on May 3, 2011. The duration of 5 Preludes, W419: No. 2 in E Major is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. 5 Preludes, W419: No. 2 in E Major's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 14 in Flavio Cucchi Plays Barrios and Villa-Lobos by Flavio Cucchi. 5 Preludes, W419: No. 2 in E Major is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 5 Preludes, W419: No. 2 in E Major by Heitor Villa-Lobos, Flavio Cucchi is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Albéniz: España, Op. 165: II. Tango (Andantino) | Isaac Albéniz, Leif Ove Andsnes | D Major | 0 | 10B | 66 BPM | ||
Fantasy for Guitar Op. 107: III. Arietta 1 | Malcolm Arnold, Sean Shibe | D Major | 0 | 10B | 109 BPM | ||
Schumann: Kinderszenen, Op. 15: VII. Träumerei | Robert Schumann, Maria João Pires | F Major | 0 | 7B | 66 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Sonata K 40 | Domenico Scarlatti, Abel Carlevaro | A Major | 2 | 11B | 138 BPM | ||
Bachianas brasileiras No. 8: III. Toccata: Catira batida | Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn | C Major | 3 | 8B | 182 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM |
Section: 0.6809420585632324
End: 0.6856560707092285