Jacques Offenbach, Jessye Norman, Francisco Araiza, Staatskapelle Dresden, Jeffrey Tate made "Les Contes d'Hoffmann / Act 3: "C'est une chanson d'amour"" available on January 1, 1992. The duration of Les Contes d'Hoffmann / Act 3: "C'est une chanson d'amour" is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Les Contes d'Hoffmann / Act 3: "C'est une chanson d'amour"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 59 in the song's album "Offenbach: Les Contes d'Hoffmann". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Netherlands. Les Contes d'Hoffmann / Act 3: "C'est une chanson d'amour" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Les Contes d'Hoffmann / Act 3: "C'est une chanson d'amour" by Jacques Offenbach, Jessye Norman, Francisco Araiza, Staatskapelle Dresden, Jeffrey Tate having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
Orphée aux enfers: Overture (Arr. C. Binder & J.G. Busch for Orchestra) | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | E Minor | 1 | 9A | 126 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, Valery Gergiev, Wiener Philharmoniker | F Major | 1 | 7B | 84 BPM | ||
Orpheus in der Unterwelt · Operette in 2 Akten (1988 Digital Remaster): Ouvertüre (Orchester) | Jacques Offenbach, Adolf Dallapozza/Gisela Litz/Grit van Jüten/Theo Lingen/Ferry Gruber /Kari Lövaas/Brigitte Lindner /Chor der Kölner Oper/Philharmonia Hungarica/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Philharmonia Hungarica | E♭ Major | 4 | 5B | 124 BPM | ||
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Overture (Die Zauberharfe, D.644) | Franz Schubert, Gewandhausorchester, Kurt Masur | G Major | 0 | 9B | 85 BPM | ||
Grieg: Suite No. 2 from Peer Gynt, Op. 55: I. The Abduction of the Bride - Ingrid's Lament | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Minor | 1 | 6A | 98 BPM |
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