- BPM
- 83
- Key
- A♭ Major
- Camelot
- 4B
Via Crucis, S53/R534: Station XI: Jesus wird ans Kreuz geschlagen - Franz Liszt, Dorothee Labusch, Furio Zanasi, Ulrich Rausch, Diego Fasolis, Radio Svizzera Choir, Lugano Information
- Acousticness
- 99%
- Danceability
- 12%
- Energy
- 4%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 59%
- Speechiness
- 5%
- Valence
- 3%
- Popularity
- 1%
- Loudness
- -24.551 dB
Summary
"Via Crucis, S53/R534: Station XI: Jesus wird ans Kreuz geschlagen" by Franz Liszt, Dorothee Labusch, Furio Zanasi, Ulrich Rausch, Diego Fasolis, Radio Svizzera Choir, Lugano was released on May 20, 1997. With Via Crucis, S53/R534: Station XI: Jesus wird ans Kreuz geschlagen being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Franz Liszt's "Liszt: Sacred Choral Music" album is number 15 out of 19. On top of that, Hong Kong appears to be the country where this track was created. Via Crucis, S53/R534: Station XI: Jesus wird ans Kreuz geschlagen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Via Crucis, S53/R534: Station XI: Jesus wird ans Kreuz geschlagen BPM
We consider the tempo marking of Via Crucis, S53/R534: Station XI: Jesus wird ans Kreuz geschlagen by Franz Liszt, Dorothee Labusch, Furio Zanasi, Ulrich Rausch, Diego Fasolis, Radio Svizzera Choir, Lugano to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Via Crucis, S53/R534: Station XI: Jesus wird ans Kreuz geschlagen Key
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Prelude & Fugue in C Minor (Well-Tempered Clavier, Book I, No. 2), BWV 847: I. Prelude | Johann Sebastian Bach, Víkingur Ólafsson | C Minor | 2 | 5A | 65 BPM | |
 | String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | |
 | Prelude In C Minor, BWV 999 : Prelude In C Minor, BWV 999 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 120 BPM | |
 | Liebestraum, S. 541, No. 3 | Franz Liszt, Evgeny Kissin | E♭ Major | 0 | 5B | 75 BPM | |
 | Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | |
 | 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Evgeny Zarafiants | E♭ Major | 0 | 5B | 71 BPM | |
 | 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | |
 | Symphony in B Minor (arr. T. Finno for orchestra): II. Un poco lento, cantabile | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | D Major | 1 | 10B | 72 BPM | |
 | Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | |
 | Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM |
- ISRC
- HKI199604515
- Label
- L-M Records/RCA Records
Section: 0.745633602142334
End: 0.7485940456390381