Riccardo Stracciari made "Il barbiere di Siviglia, Riccardo Stracciari: Act I- " Largo al factotum"" available on November 30, 2010. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 40 in the song's album "Opera for ever new additions". In this album, this song's track order is #8. Il barbiere di Siviglia, Riccardo Stracciari: Act I- " Largo al factotum" is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Il barbiere di Siviglia, Riccardo Stracciari: Act I- " Largo al factotum" by Riccardo Stracciari having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Otello: Oh Dio! Qual mal strepito è questo! | Gioachino Rossini, Hera Hyesang Park, Emily D'Angelo, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Lucia di Lammermoor, Act II: Chi mi frena in tal momento | Gaetano Donizetti, Riccardo Stracciari, Maria Barrientos, Charles Hackett, Jose Mardones, George Meader, Emma Noe, Studio Orchestra | B♭ Major | 2 | 6B | 74 BPM | ||
Rigoletto, IGV 25, Act III: "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Lorenzo Molajoli, Dino Borgioli, Anna Masetti Bassi, Mercedes Capsir, Riccardo Stracciari | D♭ Major | 3 | 3B | 138 BPM | ||
Danses Polovtiennes | Les Chœurs De L'armée Rouge | A Major | 2 | 11B | 44 BPM | ||
Zaza: Piccola zingara | Riccardo Stracciari | B♭ Minor | 1 | 3A | 137 BPM | ||
Vien, Leonora (La Favorita) | Riccardo Stracciari | A Minor | 2 | 8A | 102 BPM | ||
8 Gedichte aus 'Letzte Blätter', Op. 10, TrV 141: No. 8, Allerseelen (Arr. R. Heger for Soprano & Orchestra) | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM | ||
Stabat Mater, Op. 58, B. 71: II. Quis est homo, qui non fleret. Andante sostenuto | Antonín Dvořák, Eva Urbanova, Marta Benackova, John Uhlenhopp, Peter Mikuláš, Prague Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 84 BPM | ||
Lucia di Lammermoor, Act I: Ah, verranno a te sull'aure | Gaetano Donizetti, Zuzana Markova, Andrea Bocelli, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | D♭ Major | 4 | 3B | 78 BPM | ||
Sogno | Francesco Paolo Tosti, Olindo Guerrini, Franco Vassallo, Giulio Zappa | A♭ Major | 2 | 4B | 69 BPM |
Section: 0.8557498455047607
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