Johannes Brahms, György Cziffra made "Brahms: Hungarian Dances, WoO 1: No. 6 in D-Flat Major (Transcr. Cziffra for Solo Piano)" available on July 7, 2023. The duration of Brahms: Hungarian Dances, WoO 1: No. 6 in D-Flat Major (Transcr. Cziffra for Solo Piano) is about 3 minutes long, at 3:15. Based on our data, "Brahms: Hungarian Dances, WoO 1: No. 6 in D-Flat Major (Transcr. Cziffra for Solo Piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in György Cziffra, Camille Saint-Saëns, Franz Liszt, Franz Schubert, Frédéric Chopin, Johannes Brahms's "Les rendez-vous de Senlis. Brahms: Danses hongroises - Chopin: Nocturnes & Études - Schubert: Impromptus" album is number 6 out of 29. On top of that, France appears to be the country where this track was created. Brahms: Hungarian Dances, WoO 1: No. 6 in D-Flat Major (Transcr. Cziffra for Solo Piano) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Brahms: Hungarian Dances, WoO 1: No. 6 in D-Flat Major (Transcr. Cziffra for Solo Piano) by Johannes Brahms, György Cziffra to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
Violin Sonata No. 3 in D Minor, Op. 108: Allegro | Johannes Brahms, Ilya Kaler, Alexander Peskanov | D Minor | 1 | 7A | 87 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM |
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