Gaîté parisienne: 7. (Allegro) - Jacques Offenbach, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti Information

Acousticness: 76%
Danceability: 39%
Energy: 39%
Instrumentalness: 70%
Liveness: 11%
Loudness: 70%
Speechiness: 10%
Valence: 19%
Popularity: 0%
Loudness: -17.976 dB

Summary

"Gaîté parisienne: 7. (Allegro)" by Jacques Offenbach, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti was released on 1957. With Gaîté parisienne: 7. (Allegro) being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 45 in the song's album "Solti At The Ballet". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Gaîté parisienne: 7. (Allegro)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Gaîté parisienne: 7. (Allegro) BPM

With Gaîté parisienne: 7. (Allegro) by Jacques Offenbach, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Gaîté parisienne: 7. (Allegro) Key

This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Capriol Suite: 6. Mattachins (Sword Dance)	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	F Major	3	7B	82 BPM
Der Freischütz, J. 277 / Act I: Walzer	Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber	A Major	4	11B	182 BPM
Carmen Ballet Suite (after Bizet): IX. Torero	Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut	F Major	5	7B	115 BPM
La vie parisienne, Polka	Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar	G Major	4	9B	105 BPM
Lohengrin: Prelude	Richard Wagner, Slovak Philharmonic, Michael Halasz	A Major	0	11B	75 BPM
Pictures At An Exhibition: Promenade	Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini	A♭ Major	0	4B	87 BPM
Holberg Suite, Op. 40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte	Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi	G Major	0	9B	78 BPM
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version]	Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski	E Major	2	12B	123 BPM
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe	George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields	D Major	2	10B	115 BPM
I. Allegro	Antonio Vivaldi, London Musici, Mark Stephenson, Nigel Woodhouse	C Major	6	8B	97 BPM

ISRC: GBF075842307
Label: L-M Records/RCA Records

Section: 0.842339038848877

End: 0.8469750881195068