"Tiibade hääl (The Sound of Wings) (2022): Ülemereühenduses… (On the line…)" by Tõnu Kõrvits, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Risto Joost, Laur Eensalu was released on June 2, 2023. The duration of Tiibade hääl (The Sound of Wings) (2022): Ülemereühenduses… (On the line…) is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Tiibade hääl (The Sound of Wings) (2022): Ülemereühenduses… (On the line…)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Tõnu Kõrvits: The Sound of Wings". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Finland. Tiibade hääl (The Sound of Wings) (2022): Ülemereühenduses… (On the line…) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tiibade hääl (The Sound of Wings) (2022): Ülemereühenduses… (On the line…) by Tõnu Kõrvits, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Risto Joost, Laur Eensalu having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dream Colored Mobile II, Op. 58a | Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata, Joe Houghton, Kate Wilson | B♭ Major | 0 | 6B | 121 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
6 Gamle bygdevisur fra Lom (6 Old Village Songs from Lom), Op. 2 (version for violin and orchestra): No. 1. Andante | Carl Gustav Sparre Olsen, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | D Minor | 1 | 7A | 167 BPM | ||
Liturgical Chants: 4 Spiritual Songs: Cherubic Song | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 80 BPM | ||
Concerto No. 2 for Piano and Orchestra, Op. 102 (Remastered): II. Andante | Dmitri Shostakovich, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | ||
Child Falling Asleep, Op. 15 No. 12 (Arr. W. Newell for String Quartet) | Robert Schumann, The Solem Quartet, Amy Tress, William Newell, Stephen Upshaw, Stephanie Tress | E Major | 0 | 12B | 72 BPM | ||
Ave verum corpus, K. 618 (Transcr. Liszt for Solo Piano) | Wolfgang Amadeus Mozart, Víkingur Ólafsson | B Major | 0 | 1B | 115 BPM | ||
Materna Requiem: 1. Introit | Rebecca Dale, Louise Alder, Trystan, Edward Hyde, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | A Minor | 1 | 8A | 109 BPM | ||
Goldberg Variations, BWV 988: Variation 1 (Arr. for Harp) | Johann Sebastian Bach, Parker Ramsay | C Major | 2 | 8B | 66 BPM | ||
Recomposed By Max Richter: Vivaldi, The Four Seasons: Shadow 5 | Max Richter | D♭ Major | 5 | 3B | 67 BPM |
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