"Nabucco - Rezitativ and Aria Act 2" by Giuseppe Verdi, Gail Gilmore, Limburg Symphony Orchestra, Gerard Oskamp was released on January 1, 2010. Since Nabucco - Rezitativ and Aria Act 2 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "La mayoría de las arias hermosas de la ópera" album is number 7 out of 33. Nabucco - Rezitativ and Aria Act 2 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nabucco - Rezitativ and Aria Act 2 by Giuseppe Verdi, Gail Gilmore, Limburg Symphony Orchestra, Gerard Oskamp to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
La fille du régiment / Act 1: "Ah! mes amis, quel jour de fête!" | Gaetano Donizetti, Juan Diego Flórez, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | F Major | 1 | 7B | 134 BPM | ||
Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
La Favorita / Act 4: Spirto gentil, de' sogni miei | Gaetano Donizetti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | C Major | 2 | 8B | 66 BPM | ||
Manon Lescaut / Act 1: Donna non vidi mai | Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 3 | 6B | 79 BPM | ||
Carmen, Act 2: Votre toast (Toreador's Song) | Georges Bizet, Kostas Paskalis/Eliane Lublin/Viorica Cortez/Grace Bumbry/Choeurs de l'Opéra National de Paris/Orchestre de l'Opéra National de Paris/Rafael Frühbeck de Burgos, Rafael Frühbeck de Burgos, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Minor | 0 | 6A | 124 BPM | ||
4 Sacred Pieces (Quattro pezzi sacri): Ave Maria | Giuseppe Verdi, Cheryl Studer, Wiener Philharmoniker, Claudio Abbado, Vienna State Opera Chorus, Norbert Balatsch | G Major | 0 | 9B | 81 BPM | ||
Aida / Act 1: Sì: corre voce che l'Etiope ardisca | Giuseppe Verdi, Nicolai Ghiaurov, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | A♭ Major | 0 | 4B | 81 BPM | ||
Linda di Chamounix, A. 62, Act I Scene 3: Qui sì, pria della partenza | Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM |
Section: 0.790884256362915
End: 0.7971220016479492