"Piano Sonata No. 8: IId. First Carousel Ride and Sounds of a Hurdy-Gurdy" by Leo Ornstein, Marc-André Hamelin had its release date on August 1, 2002. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Leo Ornstein, Marc-André Hamelin's "Leo Ornstein: Piano Music" album is number 28 out of 29. On top of that, United Kingdom appears to be the country where this track was created. Piano Sonata No. 8: IId. First Carousel Ride and Sounds of a Hurdy-Gurdy is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Sonata No. 8: IId. First Carousel Ride and Sounds of a Hurdy-Gurdy by Leo Ornstein, Marc-André Hamelin to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Live the Day | Nike Endang | B Minor | 1 | 10A | 120 BPM | ||
Sonate pour flûte et piano, Op. 64: IV. Finale. Moderato - Grazioso | Mel Bonis, Mathilde Calderini, Aurèle Marthan | D♭ Minor | 2 | 12A | 111 BPM | ||
Blumenleben, Op. 19: No. 5, Rose | Dora Pejačević, Donka Angatscheva | A Major | 2 | 11B | 79 BPM | ||
La caixinha de música quebrada, W256 | Heitor Villa-Lobos, Wilhem Latchoumia | B Minor | 3 | 10A | 62 BPM | ||
Six Preludes For Cello And Piano: III. Presto | Leo Ornstein, Randall Hodgkinson, Joshua Gordon | A♭ Minor | 4 | 1A | 183 BPM | ||
Piano Sonata No. 1: IV. Ruvido ed ostinato | Máire Carroll | D♭ Major | 4 | 3B | 165 BPM | ||
ヴァイオリン・ソナタ 第1番 ト長調 作品78: 第1楽章: Vivace ma non troppo | Johannes Brahms, Akiko Suwanai, エフゲニー・ボザノフ | F♯ Minor | 1 | 11A | 144 BPM | ||
String Quartet: 4. Animato | Luís de Freitas Branco, Quarteto Tejo | A Minor | 2 | 8A | 90 BPM | ||
Octet for Two Clarinets, Harp, Two Violins, Viola, Cello and Double Bass: II. Adagio molto | Charles Martin Loeffler, Graeme Steele Johnson, David Shifrin, Bridget Kibbey, Stella Chen, Siwoo Kim, Matthew Lipman, Samuel DeCaprio, Sam Suggs | F Minor | 2 | 4A | 140 BPM | ||
L'Art de varier, Op. 57: Variation 35 | Antoine Reicha, Ivan Ilic | F Major | 2 | 7B | 114 BPM |