Henryk Wieniawski, Dmitry Sitkovetsky, Pavel Gililov's 'Polonaise No. 1 in D major Op. 4' came out on June 5, 2001. Polonaise No. 1 in D major Op. 4 is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. There are a total of 40 in the song's album "Sonatas and Dances for Violin". In this album, this song's track order is #15. In terms of popularity, Polonaise No. 1 in D major Op. 4 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Polonaise No. 1 in D major Op. 4 by Henryk Wieniawski, Dmitry Sitkovetsky, Pavel Gililov having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Introduction - Thema | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | B♭ Minor | 1 | 3A | 136 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM | ||
Paganini variations: Variation 14 | Eugène Ysaÿe, Laurent Korcia, Haruko Ueda | E Major | 1 | 12B | 87 BPM | ||
Rostropovitch: Humoresque, Op. 5 | Mstislav Rostropovich, Edgar Moreau, Pierre-Yves Hodique | C Major | 3 | 8B | 173 BPM | ||
Symphony No. 5 In B Flat, D.485: I. Allegro | Franz Schubert, Wiener Philharmoniker, Karl Böhm | C Major | 1 | 8B | 106 BPM | ||
Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | ||
Carmen, fantasie brillante, Op. 3, No. 3: Andante moderato | Jenő Hubay, Benjamin Schmid, Lisa Smirnova | B Minor | 2 | 10A | 122 BPM | ||
Henryk Wieniawski: Souvenir de Posen, Op. 3 Mazurka Caracteristique (arr. Marek Pasieczny) | Marek Pasieczny, Henryk Wieniawski, Krzysztof Pełech | F♯ Minor | 0 | 11A | 89 BPM | ||
Capriccio for Viola Solo in C Minor, Op. 55 "Hommage à Paganini" | Henri Vieuxtemps, Vidor Nagy | A♭ Major | 0 | 4B | 80 BPM | ||
Albeniz Tango from España OP. 165 No.2: Isaac Albéniz | Mela Tenenbaum | G Major | 1 | 9B | 104 BPM |
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