"Weichet Nur, Betubte Schatten, Bwv 202, "wedding Cantata": I. Adagio - Weichet Nur, Betubte Schatten, Bwv 202, "wedding Cantata": I. Adagio" by Johann Sebastian Bach, Musica Antiqua, Mary Jane Newman, Kristin Norderval was released on October 9, 2007. With this song being about 5 minutes long, at 5:24, "Weichet Nur, Betubte Schatten, Bwv 202, "wedding Cantata": I. Adagio - Weichet Nur, Betubte Schatten, Bwv 202, "wedding Cantata": I. Adagio" by Johann Sebastian Bach, Musica Antiqua, Mary Jane Newman, Kristin Norderval is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wedding: Music & Words by Mary Jane Newman. The song's track number on the album is #12 out of 26 tracks. Based on our data, United States was the country where this track was produced or recorded. Weichet Nur, Betubte Schatten, Bwv 202, "wedding Cantata": I. Adagio - Weichet Nur, Betubte Schatten, Bwv 202, "wedding Cantata": I. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Weichet Nur, Betubte Schatten, Bwv 202, "wedding Cantata": I. Adagio - Weichet Nur, Betubte Schatten, Bwv 202, "wedding Cantata": I. Adagio by Johann Sebastian Bach, Musica Antiqua, Mary Jane Newman, Kristin Norderval has a tempo of 63 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Weichet Nur, Betubte Schatten, Bwv 202, "wedding Cantata": I. Adagio - Weichet Nur, Betubte Schatten, Bwv 202, "wedding Cantata": I. Adagio being at 63 BPM, the half-time would be 32 BPM with a double-time of 126 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto In The Italian Style, BWV 971, "Italian Concerto": II. Andante | Janos Sebestyen, Johann Sebastian Bach | D Minor | 1 | 7A | 131 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | ||
Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060: 2. Adagio (performed on two pianos) | Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida Thompson | C Minor | 0 | 5A | 82 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Bach, JS: Concerto for Three Pianos in C Major, BWV 1064: I. Allegro | Johann Sebastian Bach, Jean-Pierre Wallez, Gabriel Tacchino, Jean-Philippe Collard, Michel Béroff, Orchestre de chambre de Paris | C Major | 2 | 8B | 83 BPM | ||
Waldszenen, Op. 82: 3. Einsame Blumen | Robert Schumann, Mitsuko Uchida | B♭ Major | 0 | 6B | 69 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM |
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