"4 Pièces pour piano et violon, Op. 25: No. 1, Lied" by Florent Schmitt, Célimène Daudet, Amanda Favier had its release date on November 15, 2013. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 22 in Dans la malle du Poilu by Célimène Daudet, Amanda Favier. 4 Pièces pour piano et violon, Op. 25: No. 1, Lied is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 4 Pièces pour piano et violon, Op. 25: No. 1, Lied by Florent Schmitt, Célimène Daudet, Amanda Favier is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in D Major: III. Rondo Burleske: No. 2, L’istesso tempo (I) | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
Quatre Variations sur un Thème de Domenico Scarlatti: Thema | André Chailleux, Camille Saint-Saëns, Florent Schmitt, Guillaume Balay, Henri Büsser, Jeanine Rueff, Marcel Bitsch, Philippe Gaubert, Theo Charlier, Hannes Läubin, Lukas Maria Kuen | A Major | 2 | 11B | 97 BPM | ||
Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 1 | 8B | 101 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIV. Tarantella (Allegro moderato) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Sonata for Clarinet and Piano: 2. Romanza | Francis Poulenc, Karl Leister, James Levine | G Minor | 0 | 6A | 72 BPM | ||
Symphonic Dances, Op. 64: III. Allegro giocoso | Edvard Grieg, Bergen Philharmonic Orchestra, Edward Gardner | F Minor | 1 | 4A | 73 BPM | ||
Sonata for 2 Clarinets, FP 7: Andant: Tres lent | Francis Poulenc, Ronald Van Spaendonck, André Moisan | E♭ Major | 1 | 5B | 106 BPM | ||
Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A Minor | 3 | 8A | 112 BPM | ||
Intend | Orion King | D♭ Major | 2 | 3B | 151 BPM | ||
5 Preludes: No. 4. Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 0 BPM |