Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 97.2 & Kapitel 98 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 97.2 & Kapitel 98 - Wie Google tickt - How Google Works is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Kapitel 97.2 & Kapitel 98 - Wie Google tickt - How Google Works's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #208 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Kapitel 97.2 & Kapitel 98 - Wie Google tickt - How Google Works is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Kapitel 97.2 & Kapitel 98 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 68 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Kapitel 97.2 & Kapitel 98 - Wie Google tickt - How Google Works being at 68 BPM, the half-time would be 34 BPM with a double-time of 136 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tantum ergo in E-Flat Major, D. 962 | Franz Schubert, Barbara Bonney, Dalia Schaechter, Jorge Pita, Andreas Schmidt, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | B♭ Major | 1 | 6B | 82 BPM | ||
Cavalleria Rusticana: Intermezzo Sinfonico | Pietro Mascagni, Balthasar Neumann Orchestra, Thomas Hengelbrock | E♭ Major | 1 | 5B | 76 BPM | ||
Ecce sacerdos magnus, WAB 13 | Anton Bruckner, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner, Matthew Jorysz | A Minor | 1 | 8A | 88 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: No.58 "Aus Liebe will mein Heiland Sterben" | Johann Sebastian Bach, Maria Stader, Münchener Bach-Orchester, Karl Richter | A Minor | 1 | 8A | 88 BPM | ||
Resitatiivi, Kolmannen Päivän Aamuna (Pääsiäisen Ihme) | Heikki Rainio, Cantio Laudis -kuoro | C Minor | 1 | 5A | 76 BPM | ||
A Midsummer Night's Dream, Op. 61: No. 3, Lied mit Chor. Allegro ma non troppo | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Katharina Konradi, Sophia Burgos, Damen der Zürcher Sing-Akademie, Andreas Felber | E Major | 1 | 12B | 72 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, Träume | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | A Major | 0 | 11B | 169 BPM | ||
Psalm 42, Op. 42, MWV A15: Aria "Meine Seele dürstet nach Gott" - Recitativo "Meine Tränen sind meine Speise" | Felix Mendelssohn, Eiddwen Harrhy, Orchestre de chambre de Paris, Philippe Herreweghe | B♭ Minor | 0 | 3A | 121 BPM | ||
The Golden Age Begins Anew: I. Renewal | Karl Jenkins, World Orchestra For Peace, World Choir for Peace, Nicol Matt, Alexander Duggan, Jody Jenkins | G Major | 2 | 9B | 92 BPM | ||
Kapitel 81.2 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth | A♭ Major | 2 | 4B | 85 BPM |
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