John Dowland, Hopkinson Smith, Mariana Flores's ' "The Second Book of Songes: No. 12, Fine Knacks for Ladies" was released on its scheduled release date, July 24, 2019. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. The Second Book of Songes: No. 12, Fine Knacks for Ladies's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 17 in Dowland: Whose Heavenly Touch by John Dowland, Hopkinson Smith, Mariana Flores. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, The Second Book of Songes: No. 12, Fine Knacks for Ladies is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of The Second Book of Songes: No. 12, Fine Knacks for Ladies by John Dowland, Hopkinson Smith, Mariana Flores is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Feminine Portraits - Lady Hunsdon's Allemande | Hopkinson Smith, John Dowland | B♭ Major | 2 | 6B | 80 BPM | ||
Luz y norte musical: Pabanas | Lucas Ruiz de Ribayaz, Piffaro | D♭ Major | 0 | 3B | 99 BPM | ||
Lute Sonata No. 1: I. Preludio | Giovanni Zamboni, Luciano Còntini | A♭ Major | 1 | 4B | 72 BPM | ||
Missa Papae Marcelli: Kyrie | Giovanni Pierluigi da Palestrina, Oxford Camerata, Jeremy Summerly | A Major | 2 | 11B | 136 BPM | ||
The Earl of Essex Galliard | John Dowland, Folger Consort | G Minor | 1 | 6A | 100 BPM | ||
The False Consonances of Musick, Aria I | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | ||
Ego enim a 6 | Francisco López Capillas, Piffaro | F Minor | 1 | 4A | 106 BPM | ||
Fantasia (I) | Cuthbert Hely, Jakob Lindberg | G Minor | 1 | 6A | 88 BPM | ||
Saltarello | Joan Ambrosio Dalza, Ronn McFarlane, Mark Cudek | D♭ Major | 1 | 3B | 128 BPM | ||
Canzon seconda | Giovanni Gabrieli, Flanders Recorder Quartet | A♭ Major | 0 | 4B | 66 BPM |