"Suite, Op. 33: I. Andante" by Laura Netzel, Miriam Terragni, Catherine Sarasin was released on April 22, 2022. The duration of Suite, Op. 33: I. Andante is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Suite, Op. 33: I. Andante's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Trouvez les femmes! Vol. 1 (Female Composers of the Romantic Era)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Based on our statistics, Suite, Op. 33: I. Andante's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite, Op. 33: I. Andante by Laura Netzel, Miriam Terragni, Catherine Sarasin having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 1: IV. Ruvido ed ostinato | Máire Carroll | D♭ Major | 4 | 3B | 165 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
Divertissement à la hongroise, D. 818, Op. 54: II. Marcia. Andante con moto | Franz Schubert, Pavel Kolesnikov, Samson Tsoy | C Minor | 0 | 5A | 171 BPM | ||
6 Morceaux, Op. 83: I. Elégie | Moritz Moszkowski, Seta Tanyel | D♭ Major | 1 | 3B | 74 BPM | ||
String Quartet in C Minor: IV. Variazione con finale fugato | Ralph Vaughan Williams, Verdi Quartett | C Minor | 1 | 5A | 142 BPM | ||
Three Duets: I. Prelude from "The Gadfly" | Dmitri Shostakovich, Angela Chun, Jennifer Chun, Nelson Padgett, Konstantin Fortunatov | E Minor | 0 | 9A | 80 BPM | ||
Verbunkos Suite: II. Fresh Hungarian | Rezsö Kókai, Ágnes Szakály, Miskolc Symphony Orchestra, Laszlo Kovacs | G Major | 2 | 9B | 118 BPM | ||
Sentimental Waltz in E Minor, Op. 51 No. 6 | Pyotr Ilyich Tchaikovsky, Mikhail Utin, Alexander Blok | A Minor | 1 | 8A | 79 BPM | ||
Fantasie in C Major, D. 934: I. Andante molto | Franz Schubert, Alena Baeva, Vadym Kholodenko | D Major | 3 | 10B | 109 BPM | ||
Great Dramatic Sonata "Titus et Bérénice" for Cello and Piano: IV. Allegro molto movimento | Rita Strohl, Sandra Lied Haga, Katya Apekisheva | C Minor | 2 | 5A | 100 BPM |
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