Johann Nepomuk Hummel, Karen Geoghegan, Benjamin Wallfisch, Opera North Orchestra's 'Bassoon Concerto, W. 23: II. Romanza. Andantino cantabile' came out on June 1, 2008. Bassoon Concerto, W. 23: II. Romanza. Andantino cantabile is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The track order of this song in Karen Geoghegan, Benjamin Wallfisch, Opera North Orchestra's "Karen Geoghegan Plays Works for Bassoon and Orchestra" album is number 2 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Bassoon Concerto, W. 23: II. Romanza. Andantino cantabile is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bassoon Concerto, W. 23: II. Romanza. Andantino cantabile by Johann Nepomuk Hummel, Karen Geoghegan, Benjamin Wallfisch, Opera North Orchestra to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in D Major, Op. 18, No. 2: III. Minuetto e trio | Muzio Clementi, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 0 | 10B | 126 BPM | ||
Das Waldmädchen: No. 10, Larghetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
Suite for 2 Violins & Piano, Op. 71: III. Lento assai | Moritz Moszkowski, Nazrin Rashidova, Daniel Grimwood | E Minor | 1 | 9A | 103 BPM | ||
Sonate No. 62 en Mi bémol majeur Hob. XVI/52: III. Finale : Presto | Franz Joseph Haydn, Anne Queffélec | E♭ Major | 2 | 5B | 88 BPM | ||
Symphony in D, H.I No.6 - "Le Matin": 2. Adagio | Franz Joseph Haydn, Erwin Ramor, Zoltan Thirring, Philharmonia Hungarica, Antal Doráti | G Major | 1 | 9B | 76 BPM | ||
Marchenbilder (Fairy Tales), Op. 113: III. Rasch | Robert Schumann, Tabea Zimmermann, Hartmut Höll | F Major | 1 | 7B | 82 BPM | ||
Symphony in G Major, Op. 3, No. 6, W. C6: III. Allegro assai | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | D Major | 1 | 10B | 84 BPM | ||
Symphony in D Major, Op. 22 No. 1, P. I:3: III. Menuetto: Vivace | Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec | E Major | 1 | 12B | 101 BPM | ||
Der Fischer und das Milchmädchen: XV. Allegro furioso | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Mandolin Concerto in G Major, S. 28: III. Rondo. Allegro (Cadenza: A. Avital) | Avi Avital, Johann Nepomuk Hummel, Il Giardino Armonico, Giovanni Antonini | G Major | 3 | 9B | 158 BPM |
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