Piano Concerto No.3 in D minor: I. Allegro ma non tanto (excerpt)
St. Petersburg Philharmonic Orchestra, Mikhail Rudy, Mariss Jansons
100 Drivetime Classics
2:54 February 1, 2011
BPM
113
Key
D Minor
Camelot
7A

Embed

Share Link

Piano Concerto No.3 in D minor: I. Allegro ma non tanto (excerpt) - St. Petersburg Philharmonic Orchestra, Mikhail Rudy, Mariss Jansons Information

Acousticness
99%
Danceability
32%
Energy
18%
Instrumentalness
90%
Liveness
10%
Loudness
61%
Speechiness
3%
Valence
32%
Popularity
Loudness
-23.159 dB

Summary

St. Petersburg Philharmonic Orchestra, Mikhail Rudy, Mariss Jansons's 'Piano Concerto No.3 in D minor: I. Allegro ma non tanto (excerpt)' came out on February 1, 2011. The duration of Piano Concerto No.3 in D minor: I. Allegro ma non tanto (excerpt) is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Piano Concerto No.3 in D minor: I. Allegro ma non tanto (excerpt)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 Drivetime Classics, so we believe that "Piano Concerto No.3 in D minor: I. Allegro ma non tanto (excerpt)" is a single. In terms of popularity, Piano Concerto No.3 in D minor: I. Allegro ma non tanto (excerpt) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Piano Concerto No.3 in D minor: I. Allegro ma non tanto (excerpt) BPM

The tempo marking of Piano Concerto No.3 in D minor: I. Allegro ma non tanto (excerpt) by St. Petersburg Philharmonic Orchestra, Mikhail Rudy, Mariss Jansons is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.

Piano Concerto No.3 in D minor: I. Allegro ma non tanto (excerpt) Key

This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
The Legend of the Invisible City of Kitezh and the Maiden Fevroniya: Wedding Procession and Tartar Invasion by Nikolai Rimsky-Korsakov, St. Petersburg Philharmonic Orchestra, Yuri TemirkanovThe Legend of the Invisible City of Kitezh and the Maiden Fevroniya: Wedding Procession and Tartar InvasionNikolai Rimsky-Korsakov, St. Petersburg Philharmonic Orchestra, Yuri TemirkanovE Minor19A107 BPM
Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andantino grazioso) by Robert Schumann, Krystian Zimerman, Berliner Philharmoniker, Herbert von KarajanPiano Concerto in A Minor, Op. 54: II. Intermezzo (Andantino grazioso)Robert Schumann, Krystian Zimerman, Berliner Philharmoniker, Herbert von KarajanD Major110B70 BPM
Violin Concerto in D Minor, Op.47 (1985 - Remaster): II. Adagio di molto by Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony OrchestraViolin Concerto in D Minor, Op.47 (1985 - Remaster): II. Adagio di moltoJean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony OrchestraB♭ Major16B87 BPM
In the Steppes of Central Asia by Alexander Borodin, Royal Philharmonic Orchestra, Vladimir AshkenazyIn the Steppes of Central AsiaAlexander Borodin, Royal Philharmonic Orchestra, Vladimir AshkenazyA Major011B69 BPM
Pelléas et Mélisande, Op.80: Chanson de Mélisande by Gabriel Fauré, Lorraine Hunt, Boston Symphony Orchestra, Seiji OzawaPelléas et Mélisande, Op.80: Chanson de MélisandeGabriel Fauré, Lorraine Hunt, Boston Symphony Orchestra, Seiji OzawaB♭ Major06B87 BPM
Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo) by Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel BarenboimSymphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo)Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel BarenboimA Minor18A115 BPM
Symphony No. 1 in D Major: 2. Kräftig bewegt - Live by Gustav Mahler, Berliner Philharmoniker, Claudio AbbadoSymphony No. 1 in D Major: 2. Kräftig bewegt - LiveGustav Mahler, Berliner Philharmoniker, Claudio AbbadoA Major111B96 BPM
Korngold: Violin Concerto in D Major, Op. 35: II. Romanze by Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony OrchestraKorngold: Violin Concerto in D Major, Op. 35: II. RomanzeErich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony OrchestraC Major08B97 BPM
Sheherazade, Symphonic Suite, Op. 35: The Story of the Kalendar Prince by Nikolai Rimsky-Korsakov, St. Petersburg Philharmonic Orchestra, Yuri TemirkanovSheherazade, Symphonic Suite, Op. 35: The Story of the Kalendar PrinceNikolai Rimsky-Korsakov, St. Petersburg Philharmonic Orchestra, Yuri TemirkanovG Major19B121 BPM
Requiem by Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic OrchestraRequiemGiuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic OrchestraA Major111B83 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6602592468261719

End: 0.6637365818023682