St. Petersburg Philharmonic Orchestra, Mikhail Rudy, Mariss Jansons's 'Piano Concerto No.3 in D minor: I. Allegro ma non tanto (excerpt)' came out on February 1, 2011. The duration of Piano Concerto No.3 in D minor: I. Allegro ma non tanto (excerpt) is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Piano Concerto No.3 in D minor: I. Allegro ma non tanto (excerpt)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 Drivetime Classics, so we believe that "Piano Concerto No.3 in D minor: I. Allegro ma non tanto (excerpt)" is a single. In terms of popularity, Piano Concerto No.3 in D minor: I. Allegro ma non tanto (excerpt) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No.3 in D minor: I. Allegro ma non tanto (excerpt) by St. Petersburg Philharmonic Orchestra, Mikhail Rudy, Mariss Jansons is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Legend of the Invisible City of Kitezh and the Maiden Fevroniya: Wedding Procession and Tartar Invasion | Nikolai Rimsky-Korsakov, St. Petersburg Philharmonic Orchestra, Yuri Temirkanov | E Minor | 1 | 9A | 107 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andantino grazioso) | Robert Schumann, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 70 BPM | ||
Violin Concerto in D Minor, Op.47 (1985 - Remaster): II. Adagio di molto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | B♭ Major | 1 | 6B | 87 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Pelléas et Mélisande, Op.80: Chanson de Mélisande | Gabriel Fauré, Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 0 | 6B | 87 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 1 | 8A | 115 BPM | ||
Symphony No. 1 in D Major: 2. Kräftig bewegt - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | A Major | 1 | 11B | 96 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: II. Romanze | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 0 | 8B | 97 BPM | ||
Sheherazade, Symphonic Suite, Op. 35: The Story of the Kalendar Prince | Nikolai Rimsky-Korsakov, St. Petersburg Philharmonic Orchestra, Yuri Temirkanov | G Major | 1 | 9B | 121 BPM | ||
Requiem | Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | A Major | 1 | 11B | 83 BPM |
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