Romeo and Juliet, Op. 64 / Act I: No. 13, Dance of the Knights - Sergei Prokofiev, Boston Symphony Orchestra, Seiji Ozawa Information

Acousticness: 93%
Danceability: 52%
Energy: 24%
Instrumentalness: 91%
Liveness: 12%
Loudness: 65%
Speechiness: 5%
Valence: 67%
Popularity: 0%
Loudness: -20.731 dB

Summary

Sergei Prokofiev, Boston Symphony Orchestra, Seiji Ozawa made "Romeo and Juliet, Op. 64 / Act I: No. 13, Dance of the Knights" available on May 8, 2020. With this song being about 5 minutes long, at 5:22, "Romeo and Juliet, Op. 64 / Act I: No. 13, Dance of the Knights" by Sergei Prokofiev, Boston Symphony Orchestra, Seiji Ozawa is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 25 in the song's album "Prokofiev: Essentiel". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Romeo and Juliet, Op. 64 / Act I: No. 13, Dance of the Knights is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Romeo and Juliet, Op. 64 / Act I: No. 13, Dance of the Knights BPM

With Romeo and Juliet, Op. 64 / Act I: No. 13, Dance of the Knights by Sergei Prokofiev, Boston Symphony Orchestra, Seiji Ozawa having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Romeo and Juliet, Op. 64 / Act I: No. 13, Dance of the Knights Key

This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Jazz Suite No. 1: I. Waltz	Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky	E♭ Major	1	5B	173 BPM
Choral-Vatiationen: Var. I. In canone all'Ottava	Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent	C Major	1	8B	93 BPM
Variations on an Original Theme, Op. 36, "Enigma": Theme - Andante	Edward Elgar, Sir Colin Davis, London Symphony Orchestra	G Minor	0	6A	91 BPM
Piano Concerto in G Major, M. 83: II. Adagio assai	Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez	E Major	0	12B	74 BPM
Raymonda, Act III: Variation for male dancer	Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland	A♭ Major	0	4B	61 BPM
La pentola magica, P. 129: Preludio	Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano	D Minor	0	7A	91 BPM
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich"	Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti	B Minor	1	10A	93 BPM
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante)	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	B♭ Major	0	6B	82 BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	F Major	2	7B	131 BPM
Masquerade - Ballet Suite: 1. Waltz	Aram Khachaturian, London Symphony Orchestra, Stanley Black	C Major	3	8B	100 BPM

ISRC: DEF058631013
Label: L-M Records/RCA Records

Section: 0.7405474185943604

End: 0.7438178062438965