"Grieg: Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato" by Edvard Grieg, Pascal Devoyon/London Philharmonic Orchestra/David Nolan/Jerzy Maksymiuk, Jerzy Maksymiuk, London Philharmonic Orchestra was released on September 1, 2008. Grieg: Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato appears to be safe for all ages as it is not explicit. The track order of this song in Pascal Devoyon/Jerzy Maksymiuk, Jerzy Maksymiuk's "Grieg & Schumann: Piano Concertos" album is number 4 out of 6. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Grieg: Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grieg: Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato by Edvard Grieg, Pascal Devoyon/London Philharmonic Orchestra/David Nolan/Jerzy Maksymiuk, Jerzy Maksymiuk, London Philharmonic Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Piano Pieces, Op. 26: No. 2, Pastoral Atmosphere | Toivo Kuula, Adam Johnson | F Major | 0 | 7B | 75 BPM | ||
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | A♭ Major | 0 | 4B | 71 BPM | ||
Chopin: Nocturne No. 2 - slowed + reverb | Classical Slowed + Reverb | D♭ Minor | 0 | 12A | 68 BPM | ||
Piano Concerto No. 2, Op. 16: II. Andante cantabile | Sam Cramer, London Mozart Players, Howard Shelley | F Major | 0 | 7B | 66 BPM | ||
The Birds, P. 154: V. The Cuckoo (Il cuccù) | Ottorino Respighi, Orpheus Chamber Orchestra | A Major | 0 | 11B | 118 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Giselle / Act 2: Grand pas de deux: Adage | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 73 BPM | ||
When the Day Falls into Darkness (From "Cinderella") | Alma Deutscher | F Minor | 0 | 4A | 78 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Petite Suite (Arr. J. Charlot for Solo Piano): I. Souvenance | Jean Roger-Ducasse, Jacques Charlot, Joel Hastings | C Major | 0 | 8B | 68 BPM |
Section: 0.6273484230041504
End: 0.6310019493103027