Tristan und Isolde, WWV 90, Act II Scene 1: Hörst du sie noch?
Richard Wagner, Nina Stemme, Janina Baechle, Vienna State Opera Orchestra, Franz Welser-Möst
Wagner: Tristan und Isolde, WWV 90
13:49 May 6, 2022
BPM
67
Key
B Major
Camelot
1B

Embed

Share Link

Tristan und Isolde, WWV 90, Act II Scene 1: Hörst du sie noch? - Richard Wagner, Nina Stemme, Janina Baechle, Vienna State Opera Orchestra, Franz Welser-Möst Information

Acousticness
99%
Danceability
25%
Energy
11%
Instrumentalness
93%
Liveness
16%
Loudness
66%
Speechiness
4%
Valence
3%
Popularity
Loudness
-20.507 dB

Summary

"Tristan und Isolde, WWV 90, Act II Scene 1: Hörst du sie noch?" by Richard Wagner, Nina Stemme, Janina Baechle, Vienna State Opera Orchestra, Franz Welser-Möst was released on May 6, 2022. Tristan und Isolde, WWV 90, Act II Scene 1: Hörst du sie noch? appears to be safe for all ages as it is not explicit. This song is part of Wagner: Tristan und Isolde, WWV 90 by Richard Wagner, Peter Seiffert, Nina Stemme, Stephen Milling, Jochen Schmeckenbecher, Vienna State Opera Orchestra, Franz Welser-Möst. The song's track number on the album is #2 out of 29 tracks. Based on our data, Germany was the country where this track was produced or recorded. Tristan und Isolde, WWV 90, Act II Scene 1: Hörst du sie noch? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Tristan und Isolde, WWV 90, Act II Scene 1: Hörst du sie noch? BPM

Since Tristan und Isolde, WWV 90, Act II Scene 1: Hörst du sie noch? by Richard Wagner, Nina Stemme, Janina Baechle, Vienna State Opera Orchestra, Franz Welser-Möst has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Tristan und Isolde, WWV 90, Act II Scene 1: Hörst du sie noch? being at 67 BPM, the half-time would be 34 BPM with a double-time of 134 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.

Tristan und Isolde, WWV 90, Act II Scene 1: Hörst du sie noch? Key

This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Cavalleria rusticana: Intermezzo sinfonico by Pietro Mascagni, Staatskapelle Dresden, Silvio VarvisoCavalleria rusticana: Intermezzo sinfonicoPietro Mascagni, Staatskapelle Dresden, Silvio VarvisoF Major07B88 BPM
Les Contes d'Hoffmann / Act 1: Entr'acte by Jacques Offenbach, Orchestre de la Suisse Romande, Richard BonyngeLes Contes d'Hoffmann / Act 1: Entr'acteJacques Offenbach, Orchestre de la Suisse Romande, Richard BonyngeE Major212B100 BPM
L'elisir d'amore / Act 2: L'elisir d'amore / Act 2: "Una furtiva lagrima"Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard BonyngeB♭ Major16B166 BPM
Capriccio Espagnol, Op. 34: 3. Alborada by Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme JärviCapriccio Espagnol, Op. 34: 3. AlboradaNikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme JärviE♭ Major25B133 BPM
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 1: Introduction by Sergei Prokofiev, André Previn, London Symphony OrchestraProkofiev: Romeo and Juliet, Op. 64, Act 1, Scene 1: IntroductionSergei Prokofiev, André Previn, London Symphony OrchestraB Major01B105 BPM
Madama Butterfly / Act 2: Coro a bocca chiusa by Giacomo Puccini, Philharmonia Orchestra, Giuseppe Sinopoli, Ambrosian Opera ChorusMadama Butterfly / Act 2: Coro a bocca chiusaGiacomo Puccini, Philharmonia Orchestra, Giuseppe Sinopoli, Ambrosian Opera ChorusB♭ Major06B76 BPM
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat by Hector Berlioz, London Symphony Orchestra, Sir Colin DavisSymphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbatHector Berlioz, London Symphony Orchestra, Sir Colin DavisC Minor15A60 BPM
Carmen Suite No. 2 (Arr. E. Guiraud): IV. Chanson du toréador by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 2 (Arr. E. Guiraud): IV. Chanson du toréadorGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezF Major17B109 BPM
Carmina Burana: IV. Omnia sol temperat by Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard HickoxCarmina Burana: IV. Omnia sol temperatCarl Orff, London Symphony Chorus, London Symphony Orchestra, Richard HickoxG Minor06A79 BPM
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble by Hector Berlioz, Chicago Symphony Orchestra, Claudio AbbadoSymphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensembleHector Berlioz, Chicago Symphony Orchestra, Claudio AbbadoB♭ Major16B153 BPM
ISRC
DEB951998091
Label
L-M Records/RCA Records

Section: 0.9789073467254639

End: 0.9836351871490479