Silvius Leopold Weiss, Virginio Fadda made "Lute Sonata in A Major (from Manoscritto di Dresda No. 17): VI. Ciacona" available on February 1, 2015. With this song being about 5 minutes long, at 5:11, "Lute Sonata in A Major (from Manoscritto di Dresda No. 17): VI. Ciacona" by Silvius Leopold Weiss, Virginio Fadda is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Virginio Fadda's "Lute & Baroque Guitar at the European Courts" album is number 14 out of 24. Lute Sonata in A Major (from Manoscritto di Dresda No. 17): VI. Ciacona is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Lute Sonata in A Major (from Manoscritto di Dresda No. 17): VI. Ciacona by Silvius Leopold Weiss, Virginio Fadda to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
43 Ghiribizzi, MS 43: 43 Ghiribizzi: n. 4 Allegretto, n. 5 Moderato, n. 6 Andantino | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
Calata | Jupiter, Thomas Dunford | A Major | 3 | 11B | 96 BPM | ||
Lute Sonata in B-Flat Major: II. Allemande | Silvius Leopold Weiss, Lutz Kirchhof | A Major | 2 | 11B | 96 BPM | ||
Cello Sonata No. 3 in C Major: III. Amoroso | Alessandro Scarlatti, Guadalupe López-Íñiguez, Markku Luolajan-Mikkola, Olli Hyyrynen | D♭ Major | 2 | 3B | 120 BPM | ||
Toccata VIII | Alessandro Piccinini, Rosario Conte | F♯ Minor | 1 | 11A | 94 BPM | ||
Suite in G Minor from Ms. Lobkowicz: VII. Canarie | Charles Mouton, Anders Ericson | F♯ Minor | 1 | 11A | 0 BPM | ||
Canario | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Major | 1 | 2B | 96 BPM | ||
L'amant content: Canarie | Francesca Torelli, Charles Mouton | F♯ Minor | 0 | 11A | 109 BPM | ||
Lute Sonata No. 51 in G Minor, WeissSW 3: III. Bourrée | Silvius Leopold Weiss, Paul Beier | A Major | 0 | 11B | 80 BPM | ||
Sonata Op.5, No.10: Sarabanda | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 86 BPM |
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