"Circulating Ocean: Mist on the Ocean" by Toshio Hosokawa, Orchestre National De Lyon, Jun Markl was released on September 2, 2014. With Circulating Ocean: Mist on the Ocean being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "Toshio Hosokawa: Woven Dreams, Blossoming II & Circulating Ocean". In this album, this song's track order is #11. Based on our statistics, Circulating Ocean: Mist on the Ocean's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Circulating Ocean: Mist on the Ocean by Toshio Hosokawa, Orchestre National De Lyon, Jun Markl having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Suite No. 1 in G Major, BWV 1007: II. Allemande - Arr. for Marimba | Johann Sebastian Bach, Kuniko | B Minor | 3 | 10A | 116 BPM | ||
Four Pieces from a Distance: No. 4, Children of the Heavenly Father/Amen | Håkon Daniel Nystedt, Oslo Kammerkor, NyNorsk Messingkvintett, Anders Eidsten Dahl | C Major | 0 | 8B | 70 BPM | ||
Chamber Concerto for Piano and Strings - Toccata | David Joseph, Melbourne Chamber Orchestra, Michael Kieran Harvey, Spiros Rantos | D♭ Major | 6 | 3B | 127 BPM | ||
Symphony No. 1: III. Intermezzo | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E Major | 4 | 12B | 163 BPM | ||
Prelude For Meditation | John Cage, Alexei Lubimov | D Major | 0 | 10B | 140 BPM | ||
Timpani Quartum: III. Moto perpetuo (Solo for Four Timpani) | Maya Badian, Mircea Badian | C Major | 2 | 8B | 180 BPM | ||
Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | ||
Officium breve in memoriam Andreae Szervánszky, Op. 28: 15. Arioso interrotto (di Endre Szervánszky) Larghetto | György Kurtág, Parker Quartet | C Major | 0 | 8B | 176 BPM | ||
Rituals, op.39 "Icon #2" | Kim Helweg, LP Duo | D♭ Major | 0 | 3B | 0 BPM | ||
Tout un monde lointain…: I. Énigme | Henri Dutilleux, Jean-Guihen Queyras, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM |
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