William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Fenella Fielding's ' "Walton: Façade: XVI. Waltz" was released on its scheduled release date, June 14, 2024. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Walton: Façade, an Entertainment by William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields. The song's track number on the album is #17 out of 22 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Walton: Façade: XVI. Waltz's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Walton: Façade: XVI. Waltz by William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields, Fenella Fielding has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Walton: Façade: XVI. Waltz being at 125 BPM, the half-time would be 62 BPM with a double-time of 250 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Viola Concerto: I. Andante comodo - 1962 version | William Walton, Jan Latham-Koenig, London Philharmonic Orchestra, Nobuko Imai | A Minor | 3 | 8A | 127 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
Pastorale | Germaine Tailleferre, Jean-Louis Beaumadier, Jacques Raynaut | C Major | 0 | 8B | 72 BPM | ||
Eight Part Songs, Op. 115: III. The Blue Bird | Charles Villiers Stanford, National Youth Choir Of Great Britain, Bethany Partridge, Christopher Hann | F♯ Major | 0 | 2B | 77 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 4, Forlana. Allegretto grazioso | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | F♯ Major | 1 | 2B | 96 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM |