"Identity & The Ground" by Majorstua Kammerkor & Tore Erik Mohn was released on June 13, 2013. Identity & The Ground is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. There are a total of 4 in the song's album "Ola Gjeilo: Sunrise Mass". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Identity & The Ground is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Identity & The Ground by Majorstua Kammerkor & Tore Erik Mohn having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Allá se me ponga el sol à 4 | Juan Ponce, Huelgas Ensemble, Paul Van Nevel | D Minor | 0 | 7A | 176 BPM | ||
Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM | ||
Go, Lovely Rose | BYU Singers | F♯ Major | 1 | 2B | 137 BPM | ||
Messe Solennelle, Op. 12, FWV 61: Messe solennelle, Op. 12, FWV 61: Panis Angelicus | The Cathedral Singers, John Eskola, Thomas Yang, Katherine Hughes, Elizabeth Holzman, Richard Yeo, Collins Trier, Aaron David Miller | A Major | 2 | 11B | 81 BPM | ||
Elegy | Daniel Elder, Westminster Choir, Joe Miller | D♭ Minor | 0 | 12A | 60 BPM | ||
MAGNIFICAT: I. Magnificat anima mea | Kim André Arnesen, Anita Brevik, Nidarosdomens jentekor, TrondheimSolistene, Magne H. Draagen, Øyvind Gimse | E Minor | 1 | 9A | 87 BPM | ||
Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM | ||
In Pardisum | Corydon Singers | B Major | 2 | 1B | 82 BPM | ||
Materna Requiem: 5. Agnus Dei | Rebecca Dale, Edward Hyde, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | E♭ Minor | 3 | 2A | 81 BPM | ||
St. Matthew Passion, BWV 244 - Rev. Elgar, Atkins / Pt. Two: Chorus: "O Sacred Head Surrounded" | Johann Sebastian Bach, The Bach Choir, Thames Chamber Orchestra, Sir David Willcocks | F Major | 1 | 7B | 104 BPM |
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