"Messe Solennelle, Op. 12, FWV 61: Messe solennelle, Op. 12, FWV 61: Panis Angelicus" by The Cathedral Singers, John Eskola, Thomas Yang, Katherine Hughes, Elizabeth Holzman, Richard Yeo, Collins Trier, Aaron David Miller had its release date on January 1, 2000. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 20 in Catholic Classics, Vol. 4: Catholic Latin Classics by The Cathedral Singers, Richard Proulx. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Messe Solennelle, Op. 12, FWV 61: Messe solennelle, Op. 12, FWV 61: Panis Angelicus is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Messe Solennelle, Op. 12, FWV 61: Messe solennelle, Op. 12, FWV 61: Panis Angelicus by The Cathedral Singers, John Eskola, Thomas Yang, Katherine Hughes, Elizabeth Holzman, Richard Yeo, Collins Trier, Aaron David Miller is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liturgy of St. John Chrysostom, Op. 41: I. Lord have Mercy | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Major | 3 | 10B | 79 BPM | ||
Tantum ergo sacramentum | Schola gregoriana mediolanensis, Giovanni Vianini | A♭ Major | 0 | 4B | 76 BPM | ||
The Hymn for the Day | The Choir of the Dormition Church of the Novodevichy Convent | D♭ Major | 3 | 3B | 0 BPM | ||
Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 133 BPM | ||
Quam pulchra es, JD 44 | John Dunstable, Tonus Peregrinus, Antony Pitts | B♭ Major | 1 | 6B | 125 BPM | ||
Vidi Aquam | The Concordia Choir | A♭ Minor | 0 | 1A | 81 BPM | ||
Kyrie | Ars Veritas | B♭ Major | 3 | 6B | 163 BPM | ||
Te Deum laudamus Hymnus (Dankgottesdienst) | Choir Of St. Abuscus | D Major | 1 | 10B | 134 BPM | ||
Ave virgo sanctissima | Francisco Guerrero, Ensemble Plus Ultra, His Majestys Sagbutts & Cornetts, Michael Noone | B♭ Minor | 1 | 3A | 133 BPM | ||
Tempo Della Chiesa. Agnus Dei: 11 | Canonici Regolari Si Sant'Antimo | A♭ Major | 1 | 4B | 79 BPM |