"Roméo et Juliette, Op. 17, H. 79, Pt. 1: No. 1, Prologue. Récitatif Chorale "D'anciennes haines endormies"" by Hector Berlioz, London Symphony Orchestra, London Symphony Chorus, Daniela Barcellona, Sir Colin Davis was released on November 30, 2018. With this song being about 5 minutes long, at 5:10, "Roméo et Juliette, Op. 17, H. 79, Pt. 1: No. 1, Prologue. Récitatif Chorale "D'anciennes haines endormies"" by Hector Berlioz, London Symphony Orchestra, London Symphony Chorus, Daniela Barcellona, Sir Colin Davis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 217 in Berlioz Odyssey: The Complete Colin Davis Recordings by Hector Berlioz, London Symphony Orchestra, Sir Colin Davis. In terms of popularity, Roméo et Juliette, Op. 17, H. 79, Pt. 1: No. 1, Prologue. Récitatif Chorale "D'anciennes haines endormies" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Roméo et Juliette, Op. 17, H. 79, Pt. 1: No. 1, Prologue. Récitatif Chorale "D'anciennes haines endormies" by Hector Berlioz, London Symphony Orchestra, London Symphony Chorus, Daniela Barcellona, Sir Colin Davis is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le carnaval des animaux, R. 125: I. Introduction - II. Poules et Coqs - III. Hémiones | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | C Major | 2 | 8B | 96 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto - Un pochettino largamente | Jean Sibelius, Herbert von Karajan, Philharmonia Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Rex tremendae | Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison | B♭ Major | 0 | 6B | 79 BPM | ||
Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM | ||
Symphonie fantastique, Op. 14, H. 48: V. Songe d'une nuit du sabbat - Live | Hector Berlioz, Bavarian Radio Symphony Orchestra, Sir Colin Davis | C Minor | 3 | 5A | 100 BPM | ||
Piano Concerto in A Minor, Op. 54: III. Allegro vivace | Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker | C Major | 3 | 8B | 78 BPM | ||
Lelio ou le retour à la vie, Op. 14b, H.55: 4. Chant de bonheur | Hector Berlioz, Lambert Wilson, Gordon Gietz, Jennifer Schwartz, Orchestre Symphonique de Montréal, Charles Dutoit | A Major | 0 | 11B | 78 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 132 BPM | ||
Parsifal, WWV 111 - Suite: Compiled By Claudio Abbado: Karfreitagszauber | Richard Wagner, Berliner Philharmoniker, Claudio Abbado | B Major | 0 | 1B | 68 BPM |
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