Giovanni Battista Draghi, La Rêveuse, Florence Bolton, Benjamin Perrot's 'Trio Sonata in G Minor: IV. [Allegro]. Vivace - Adagio' had a release date set for January 11, 2019. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 28 in Circa 1700: Purcell & his Generation by La Rêveuse, Benjamin Perrot, Florence Bolton. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Trio Sonata in G Minor: IV. [Allegro]. Vivace - Adagio is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Trio Sonata in G Minor: IV. [Allegro]. Vivace - Adagio by Giovanni Battista Draghi, La Rêveuse, Florence Bolton, Benjamin Perrot is Vivace (lively and fast), since this song has a tempo of 164 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armide, LWV 71, Act I Scene 3: Sarabande (II) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | C Major | 3 | 8B | 112 BPM | ||
Hamburg Symphony No. 3 in C Major, Wq. 182: I. Allegro assai | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: IV. Courante | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Partita for Violin and Lute in G Minor, BWV 997r: III. Sarabande | Johann Sebastian Bach, Combattimento | G Minor | 1 | 6A | 88 BPM | ||
Charpentier : Concert pour 4 parties de violes H545 : I Prelude | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | B Major | 2 | 1B | 171 BPM | ||
Aire no 11 | Giovanni Battista Draghi, Pastór de Lasala | A Major | 1 | 11B | 121 BPM | ||
Chamber Sonata No. 1 in B-Flat Major: I. Grave | Élisabeth Jacquet de La Guerre, Musica Fiorita | A Major | 1 | 11B | 52 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": X. Canarie. Die lustigen Bots Leute | Georg Philipp Telemann, Robert King, The King's Consort | B Major | 1 | 1B | 110 BPM | ||
Sonata No. 2 in A Major, "The Visitation": III. Presto | Heinrich Ignaz Franz von Biber, Meret Lüthi, Les Passions de l'Ame | A♭ Minor | 2 | 1A | 101 BPM | ||
Violin Concerto in F Major, D. 61: I. Allegro | Giuseppe Tartini, Chouchane Siranossian, Venice Baroque Orchestra, Andrea Marcon | E Major | 3 | 12B | 92 BPM |