Bach, JS: Mass in B Minor, BWV 232: Qui sedes ad dexteram Patris - Johann Sebastian Bach, Nikolaus Harnoncourt, Helen Watts, Concentus Musicus Wien Information

Acousticness: 94%
Danceability: 22%
Energy: 12%
Instrumentalness: 9%
Liveness: 8%
Loudness: 66%
Speechiness: 5%
Valence: 34%
Popularity: 0%
Loudness: -20.194 dB

Summary

Johann Sebastian Bach, Nikolaus Harnoncourt, Helen Watts, Concentus Musicus Wien's 'Bach, JS: Mass in B Minor, BWV 232: Qui sedes ad dexteram Patris' had a release date set for January 1, 1968. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 26 in Bach: Mass in B Minor, BWV 232 by Johann Sebastian Bach, Nikolaus Harnoncourt, Concentus Musicus Wien. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Bach, JS: Mass in B Minor, BWV 232: Qui sedes ad dexteram Patris is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Bach, JS: Mass in B Minor, BWV 232: Qui sedes ad dexteram Patris BPM

The tempo marking of Bach, JS: Mass in B Minor, BWV 232: Qui sedes ad dexteram Patris by Johann Sebastian Bach, Nikolaus Harnoncourt, Helen Watts, Concentus Musicus Wien is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Bach, JS: Mass in B Minor, BWV 232: Qui sedes ad dexteram Patris Key

This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Solfeggio in C Minor, Wq. 117/2, H. 220	Carl Philipp Emanuel Bach, Matthias Veit	F Minor	1	4A	77 BPM
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Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.3 in C sharp major BWV872	Daniel Barenboim	D♭ Major	0	3B	133 BPM
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Kinderszenen, Op.15: 12. Kind im Einschlummern	Robert Schumann, Martha Argerich	E Minor	0	9A	123 BPM
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Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124]	Carl Philipp Emanuel Bach, Giovanni Mazzocchin	E♭ Major	1	5B	113 BPM
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro	Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi	B Minor	3	10A	123 BPM
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio	Alessandro Marcello, Venice Baroque Orchestra	D♭ Minor	0	12A	79 BPM
Keyboard Sonata in C Major, Kk. 159	Domenico Scarlatti, Alon Goldstein	C Major	2	8B	120 BPM

ISRC: DEA800115153
Label: L-M Records/RCA Records