Suite in G minor: III. Bourree I (Arr. A. Camden) - George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward Information

Acousticness: 93%
Danceability: 56%
Energy: 15%
Instrumentalness: 85%
Liveness: 6%
Loudness: 60%
Speechiness: 8%
Valence: 89%
Popularity: 2%
Loudness: -24.133 dB

Summary

On October 9, 1996, the song "Suite in G minor: III. Bourree I (Arr. A. Camden)" was released by George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward's "HANDEL: Oboe Concertos Nos. 1- 3 / Suite in G Minor" album is number 17 out of 26. On top of that, Hong Kong appears to be the country where this track was created. Suite in G minor: III. Bourree I (Arr. A. Camden) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Suite in G minor: III. Bourree I (Arr. A. Camden) BPM

We consider the tempo marking of Suite in G minor: III. Bourree I (Arr. A. Camden) by George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Suite in G minor: III. Bourree I (Arr. A. Camden) Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 7 in B-Flat Major, Op. 2, "Pythian Ode": I. Andante - Spirituoso	William Boyce, Aradia Ensemble, Kevin Mallon	A Major	2	11B	146 BPM
Sonata a 3 in G Major, Op. 4, No. 10: III. Tempo di gavotta: Presto	REBEL, Rebel	F♯ Major	2	2B	112 BPM
Sei Concerti in sette parte per due violini e violoncello obligato, con in piu due violini, un tenore e basso continuo, Concerto grosso No. 6 in E major: IV. Affettuoso	Alessandro Scarlatti, Europa Galante, Fabio Biondi	E♭ Major	1	5B	68 BPM
Concerto In F For Organ, Op 4 No 4: Allegro	A Nanut	D Major	1	10B	63 BPM
Oboe Concerto in F Major, Op. 7, No. 9: I. Allegro	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	F Major	3	7B	108 BPM
Trio Sonata in G Minor, Op. 3 No. 5: II. Allegro	Giuseppe Sammartini, London Baroque	E♭ Minor	1	2A	82 BPM
Suite in D Major: VII. Hornpipe	Maurice André	D Major	2	10B	86 BPM
Concerto Grosso in G Minor, Op. 3, No. 10: I. Adagio	Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek	B♭ Major	1	6B	93 BPM
Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino	Anthony Camden, City of London Sinfonia, Nicholas Ward	C Minor	0	5A	48 BPM
Trumpet Sonata in D Major, Z. 850: III. (Allegro)	Henry Purcell, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf	D♭ Major	3	3B	66 BPM

ISRC: HKI199609817
Label: L-M Records/RCA Records