"Trio Sonata in G Minor, Op. 3 No. 5: II. Allegro" by Giuseppe Sammartini, London Baroque was released on March 26, 2013. The duration of Trio Sonata in G Minor, Op. 3 No. 5: II. Allegro is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Trio Sonata in G Minor, Op. 3 No. 5: II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "The trio sonata in 18th century italy". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Sweden. Trio Sonata in G Minor, Op. 3 No. 5: II. Allegro is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trio Sonata in G Minor, Op. 3 No. 5: II. Allegro by Giuseppe Sammartini, London Baroque having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in D Minor, Op. 2, No. 5: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 2 | 7A | 111 BPM | ||
Symphony No. 4 in C Major: III. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | F♯ Major | 2 | 2B | 186 BPM | ||
Concerto a cinque No. 6, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Major | 4 | 3B | 118 BPM | ||
Sammartini: Recorder Concerto in F Major: I. Allegro | Giuseppe Sammartini, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | F Major | 1 | 7B | 119 BPM | ||
Trio Sonata, Op. 1, No. 1: I. Adagio - Andante | Charles Avison, London Baroque | D♭ Minor | 1 | 12A | 76 BPM | ||
Concerto For Oboe, Strings And Basso Continuo In C Major, Op.8 No.4: - Presto | Giuseppe Sammartini, Albrecht Mayer, Luca Pianca, Andrea Zucco, I musici di Roma | C Major | 2 | 8B | 120 BPM | ||
Concerto Grosso in C Minor, Op. 2, No. 2: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 2 | 5A | 135 BPM | ||
Recorder Sonata No. 3 in C Major: III. Adagio | Francesco Barbella, Dan Laurin, London Baroque | F♯ Major | 1 | 2B | 82 BPM | ||
Concerto for Oboe, Strings and Basso Continuo in G Minor, Op. 8 No. 5: II. Allegro assai - Adagio | Giuseppe Sammartini, Albrecht Mayer, Luca Pianca, Andrea Zucco, I Musici | B♭ Major | 2 | 6B | 120 BPM | ||
Florilegium II, Chaconne de la Suite IV « Impatientia » | Georg Muffat, Le Concert Des Nations, Jordi Savall | A Major | 2 | 11B | 138 BPM |
Section: 0.5770387649536133
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