"Pace, Pace, Mio Dio - la Forza del Destino Atto Iv" by Renata Tebaldi had its release date on March 3, 1950. This song is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. The track order of this song in Renata Tebaldi's "L'incredibile Renata Tebaldi" album is number 24 out of 28. On top of that, Germany appears to be the country where this track was created. Pace, Pace, Mio Dio - la Forza del Destino Atto Iv is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pace, Pace, Mio Dio - la Forza del Destino Atto Iv by Renata Tebaldi to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gaîté parisienne: Barcarolle | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 82 BPM | ||
Gianni Schicchi (Oper in 1 Akt) | Mirella Freni | A♭ Major | 2 | 4B | 174 BPM | ||
Si mes vers avaient des ailes | Reynaldo Hahn, Susan Graham | E Major | 0 | 12B | 92 BPM | ||
Don Carlo / Act 1: "Al fedel ch'ora viene, o signora" | Giuseppe Verdi, Jeanette Sinclair, Renata Tebaldi, Carlo Bergonzi, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 1 | 8B | 74 BPM | ||
Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
Gianni Schicchi: Oh! Mio Babbino Caro | Renata Tebaldi, Lamberto Gardelli, Orchestra del Maggio Musicale Fiorentino | A♭ Major | 3 | 4B | 88 BPM | ||
Nessun Dorma! | Mario del Monaco | D Major | 2 | 10B | 88 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I: Cavatina: Ecco, ridente in cielo | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | C Major | 1 | 8B | 166 BPM | ||
Don Giovanni, K. 527 / Act 1: "Madamina, il catalogo è questo" | Wolfgang Amadeus Mozart, Fernando Corena, Wiener Philharmoniker, Josef Krips | D Major | 2 | 10B | 83 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM |