"Elsa's Procession To The Cathedral" by The University of Illinois Symphonic Band was released on January 1, 2012. Since Elsa's Procession To The Cathedral is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "University of Illinois Symphonic Band Recording #126". In this album, this song's track order is #8. Elsa's Procession To The Cathedral is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Elsa's Procession To The Cathedral by The University of Illinois Symphonic Band having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Greek Folk Song Suite, Op. 25: I. O Charalambis | Franco Cesarini, Messiah College Symphonic Winds, Bradley Genevro | A♭ Major | 2 | 4B | 65 BPM | ||
Samson et Dalila, Op. 47, R. 288: Bacchanale | Camille Saint-Saëns, Lorin Maazel, Pittsburgh Symphony Orchestra | A Minor | 1 | 8A | 122 BPM | ||
The Goldman Band | Karl Lawrence King, The University of Illinois Symphonic Band, Dr. Harry Begian | D♭ Major | 5 | 3B | 130 BPM | ||
La Fiesta Mexicana: Mvt. I | H. Owen Reed, The University of Illinois Symphonic Band, Dr. Harry Begian | D Major | 2 | 10B | 92 BPM | ||
The Magic Flute, Overture, K620 | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 85 BPM | ||
With Each Sunset (Comes the Promise of a New Day) | Richard Saucedo, Midwest Wind Ensemble | F Major | 1 | 7B | 73 BPM | ||
The Trombone King | Karl Lawrence King, The University of Illinois Symphonic Band, Dr. Harry Begian | F Minor | 5 | 4A | 114 BPM | ||
Robinson's Grand Entrée | Karl Lawrence King, The University of Illinois Symphonic Band, Dr. Harry Begian | D♭ Major | 6 | 3B | 134 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 2 | 6A | 114 BPM | ||
Courtly Airs and Dances: V. Sarabande | Ron Nelson, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 0 | 5B | 79 BPM |
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