"A Lovers Journey - Shall I Compare Thee To A Summer's Day" by Libby Larsen, The King's Singers was released on February 10, 2009. The duration of A Lovers Journey - Shall I Compare Thee To A Summer's Day is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. A Lovers Journey - Shall I Compare Thee To A Summer's Day's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Romance Du Soir". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, A Lovers Journey - Shall I Compare Thee To A Summer's Day is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A Lovers Journey - Shall I Compare Thee To A Summer's Day by Libby Larsen, The King's Singers having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chants d'Auvergne, Vol. 1: No. 3b. Ound'onoren Gorda? (Where Shall We Go?)) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | A Major | 1 | 11B | 98 BPM | ||
Try Me, Good King (Last Words of the Wives of Henry VIII): No. 3, Jane Seymour | Libby Larsen, Tracey Engleman, Lara Bolton | C Major | 2 | 8B | 87 BPM | ||
Liederkreis, Op. 39: In der Fremde | Robert Schumann, Jessye Norman, Irwin Gage | C Major | 9 | 8B | 136 BPM | ||
Folk Songs: No. 2, I Wonder as I Wander | Luciano Berio, Elina Garanca, Berlin Music Ensemble | A♭ Major | 0 | 4B | 81 BPM | ||
Wood Music - Concerto pour quintette à vent et orchestre | Olivier Calmel, Scoring Orchestra, Aurélien Azan Zielinski, Mayu Sato-Brémaud, Annelise Clément, Baptiste Gibier, Cyril Normand, Frank Sibold | B Major | 0 | 1B | 67 BPM | ||
12 Gedichte, Op. 35: No. 5. Sehnsucht nach der Waldgegend | Robert Schumann, Margaret Price, James Lockhart | C Major | 1 | 8B | 104 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Orchestre Symphonique de Montréal, Rafael Payare, Sonya Yoncheva | F Major | 0 | 7B | 131 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 4, Schmerzen | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
I Capuleti e i Montecchi, Act 1 Scene 4: Oh! Quante volte (Arr. for Countertenor & String Quartet by Eric Mouret) | Vincenzo Bellini, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
Gloria, FP 144: 5. Domine Deus, Agnus Dei | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | E Major | 1 | 12B | 95 BPM |
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