Johann Strauss II, Vienna Boys' Choir, Gerald Wirth, Salonorchester Alt Wien made "Tritsch-Tratsch-Polka, Op. 214 (Arr. Gerald Wirth)" available on August 31, 2018. The duration of Tritsch-Tratsch-Polka, Op. 214 (Arr. Gerald Wirth) is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Tritsch-Tratsch-Polka, Op. 214 (Arr. Gerald Wirth)'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in J. Strauss II: Tritsch-Tratsch-Polka, Op.214 and no other songs are present in the album, we classify this track as a single. On top of that, Austria appears to be the country where this track was created. The popularity of Tritsch-Tratsch-Polka, Op. 214 (Arr. Gerald Wirth) is currently below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Tritsch-Tratsch-Polka, Op. 214 (Arr. Gerald Wirth) by Johann Strauss II, Vienna Boys' Choir, Gerald Wirth, Salonorchester Alt Wien to be Vivace (lively and fast) because the track has a tempo of 160 BPM, a half-time of 80BPM, and a double-time of 320 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tzigane | Dalida | G Major | 3 | 9B | 108 BPM | ||
Rusalka, Op.114 / Act 1: Mesicku na nebi hlubokém | Antonín Dvořák, Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras | F♯ Major | 0 | 2B | 91 BPM | ||
Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM | ||
Gianni Schicchi, SC 88: O mio babbino caro | Giacomo Puccini, Hera Hyesang Park, Wiener Symphoniker, Bertrand de Billy | A♭ Major | 1 | 4B | 78 BPM | ||
Klaviersonate in D Minor, L. 366: Allegro moderato | Manfred Reuthe | E Major | 0 | 12B | 131 BPM | ||
Botch-A-Me | Rosemary Clooney | A Minor | 3 | 8A | 133 BPM | ||
Suite for Variety Orchestra: VII. Waltz No. 2 | Dmitri Shostakovich, Tonkünstler-Orchester, Yutaka Sado | G Minor | 3 | 6A | 69 BPM | ||
Lucia di Lammermoor: Act III: Eccola! Oh, giusto cielo!... Il dolce suono | Gaetano Donizetti, Pretty Yende, Giacomo Sagripanti | F Minor | 1 | 4A | 79 BPM | ||
Violin Concerto In D Major, Op. 61: III. Rondo: Allegro | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | D Major | 1 | 10B | 118 BPM | ||
Martha / Act 2: Last Rose of Summer | Friedrich von Flotow, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | F Major | 1 | 7B | 76 BPM |
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