On June 9, 2023, the song "4 Petites pièces: No. 1, Jimmy-Blue" was released by Marguerite Roesgen-Champion, Gottlieb Wallisch. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. 4 Petites pièces: No. 1, Jimmy-Blue's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 20th Century Foxtrots, Vol. 5: Switzerland, so we believe that "4 Petites pièces: No. 1, Jimmy-Blue" is a single. Based on our statistics, 4 Petites pièces: No. 1, Jimmy-Blue's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of 4 Petites pièces: No. 1, Jimmy-Blue by Marguerite Roesgen-Champion, Gottlieb Wallisch is Allegro (fast, quick, and bright), since this song has a tempo of 155 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): I. Sinfonia | Igor Stravinsky, Anthony Marwood, Thomas Adès | D Minor | 2 | 7A | 100 BPM | ||
Märchenbilder, Op. 113: IV. Langsam | Robert Schumann, Alena Baeva, Vadym Kholodenko | D Major | 3 | 10B | 109 BPM | ||
Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): IVa. Pas de deux. Adagio | Igor Stravinsky, Anthony Marwood, Thomas Adès | D Minor | 2 | 7A | 100 BPM | ||
Variationen Über Ein Thema Aus Silvana, Op. 33: Thema | Carl Maria von Weber, Martin Klett, Sebastian Manz | F Major | 0 | 7B | 71 BPM | ||
Pelléas et Mélisande Suite, Op. 80: IV. La mort de Mélisande | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
4 Preludes: No. 3, The Holy Boy (Version for Cello & Piano) | John Ireland, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
Pour le piano, L. 95: 3. Toccata | Claude Debussy, Hans Henkemans | E♭ Minor | 2 | 2A | 72 BPM | ||
String Quartet: 4. Animato | Luís de Freitas Branco, Quarteto Tejo | A Minor | 2 | 8A | 90 BPM | ||
2 Pieces: No. 1. The Moon | Benjamin Britten, Matthew Jones, Annabel Thwaite | G Major | 1 | 9B | 87 BPM | ||
Tirsi non giova il pianto, Archivio di Montecassino, Fondo musicale, 2a - 3/1: I. andante | Giuseppe De Ferraris, Alessandro Minci, Tania Di Giorgio | B♭ Major | 1 | 6B | 78 BPM |