"Zadok the Priest (Coronation Anthem No. 1, HWV 258)" by George Frideric Handel, Trevor Pinnock, The English Concert, Simon Preston, The Choir Of Westminster Abbey was released on January 1, 1995. With this song being about 5 minutes long, at 5:23, "Zadok the Priest (Coronation Anthem No. 1, HWV 258)" by George Frideric Handel, Trevor Pinnock, The English Concert, Simon Preston, The Choir Of Westminster Abbey is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, The English Concert, Trevor Pinnock, The Choir Of Westminster Abbey, Simon Preston's "Handel: Coronation Anthems; Concerti a Due Cori" album is number 1 out of 16. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Zadok the Priest (Coronation Anthem No. 1, HWV 258) is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Zadok the Priest (Coronation Anthem No. 1, HWV 258) by George Frideric Handel, Trevor Pinnock, The English Concert, Simon Preston, The Choir Of Westminster Abbey to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Ode for St. Cecilia's Day, HWV 76: Chorus: From harmony | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Allegro molto | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | G Minor | 2 | 6A | 109 BPM | ||
Polovtsian Dances From "Prince Igor" | Alexander Borodin, Torgny Sporsen, Gothenburg Symphony Orchestra, Neeme Järvi, Gothenburg Symphony Choir | D Major | 1 | 10B | 103 BPM | ||
Symphony in D Major, Hob. I No. 6 - "Le Matin": IV. Finale (Allegro) | Joseph Haydn, The English Concert, Trevor Pinnock | A Major | 1 | 11B | 124 BPM | ||
Trumpet Concerto in E Flat, H.VIIe/1: 3. Allegro | Joseph Haydn, Håkan Hardenberger, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 0 | 4B | 169 BPM | ||
Military Marches, Op. 39 "Pomp and Circumstance": March No. 1 | Edward Elgar, Andrew Davis, BBC Philharmonic | D Major | 3 | 10B | 122 BPM | ||
Serenade In G Major: Eine Kleine Nachtmusik, K. 525: II. Romance: Andante | Wolfgang Amadeus Mozart, The English Concert, Andrew Manze | B Major | 0 | 1B | 36 BPM | ||
Petite messe solennelle: Kyrie | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | C Major | 0 | 8B | 120 BPM | ||
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM |
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