Prokofiev: Peter and the Wolf, Op. 67: No. 11 The Hunters Arrive - Sergei Prokofiev, Alexander Armstrong, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra Information

Acousticness: 96%
Danceability: 62%
Energy: 9%
Instrumentalness: 27%
Liveness: 6%
Loudness: 63%
Speechiness: 16%
Valence: 7%
Popularity: 18%
Loudness: -22.398 dB

Summary

"Prokofiev: Peter and the Wolf, Op. 67: No. 11 The Hunters Arrive" by Sergei Prokofiev, Alexander Armstrong, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra was released on September 29, 2017. The duration of Prokofiev: Peter and the Wolf, Op. 67: No. 11 The Hunters Arrive is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Prokofiev: Peter and the Wolf, Op. 67: No. 11 The Hunters Arrive's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 49 in the song's album "Peter and the Wolf". In this album, this song's track order is #11. Based on our statistics, Prokofiev: Peter and the Wolf, Op. 67: No. 11 The Hunters Arrive's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.

Prokofiev: Peter and the Wolf, Op. 67: No. 11 The Hunters Arrive BPM

With Prokofiev: Peter and the Wolf, Op. 67: No. 11 The Hunters Arrive by Sergei Prokofiev, Alexander Armstrong, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Prokofiev: Peter and the Wolf, Op. 67: No. 11 The Hunters Arrive Key

This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 2: II. Allegro molto	Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra	F Major	1	7B	146 BPM
20 Waltzes (Letzte Waltzer) D 146, Op.127: Valse (Ländler) No.12	Franz Schubert, Gil Shaham, Göran Söllscher	G Major	1	9B	79 BPM
1st Movement: Adaggio / Allegro Molto	London Philharmonic Orchestra	E Minor	1	9A	116 BPM
Symphony No. 2 in A Major: II. Andante cantabile	Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar	F♯ Minor	1	11A	69 BPM
La Mer, L.109: 2. Play of the Waves (Jeux de vagues)	Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit	E Major	1	12B	113 BPM
Korngold: Violin Concerto in D Major, Op. 35: I. Moderato nobile	Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra	D Major	1	10B	83 BPM
Maskerade-Suite: I. Waltz	Aram Khachaturian, Moscow Symphony Orchestra, Veronika Dudarova	C Major	3	8B	98 BPM
Requiem in D Minor, K. 626: 3. Sequentia: Confutatis - Live	Wolfgang Amadeus Mozart, Claudio Abbado, Berliner Philharmoniker, Swedish Radio Choir, Kay Johannsen	F Major	0	7B	70 BPM
Symphony No. 8 in G Minor, Op. 88, B. 163: IV. Allegro, ma non troppo	Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis	G Major	1	9B	74 BPM
Japanese Suite, Op. 33: V. Dance under the Cherry Tree	Gustav Holst, Ulster Orchestra, Joann Falletta	B♭ Major	0	6B	85 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7985556125640869

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