"The Bartered Bride, Act III Scene VII: Marenka mine, Marenka mine!" by Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, Paul Charles Clarke, Susan Gritton was released on October 1, 2005. With this song being about 5 minutes long, at 4:31, "The Bartered Bride, Act III Scene VII: Marenka mine, Marenka mine!" by Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, Paul Charles Clarke, Susan Gritton is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 44 in the song's album "Smetana: The Bartered Bride". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United Kingdom. The Bartered Bride, Act III Scene VII: Marenka mine, Marenka mine! is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Bartered Bride, Act III Scene VII: Marenka mine, Marenka mine! by Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, Paul Charles Clarke, Susan Gritton having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Dalibor, JB 1:101, Act II, Scene 1: Dle této písně (Jitka, Vítek) | Bedřich Smetana, Štefa Petrová, Antonín Votava, Prague National Theatre Chorus, Prague National Theatre Orchestra, Jarmil Burghauser, Jaroslav Krombholc | D Major | 2 | 10B | 114 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Liebeslied "Widmung, von Robert Schumann", S. 566 (After Myrthen, Op. 25/1) | Franz Liszt, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 21 in B Flat Major | Alexander Scriabin, Mikhail Pletnev | E♭ Major | 0 | 5B | 70 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
4 Lyric Pieces, Op. 74: No. 3 Auf dem Tanzvergnugen (The Pleasures of the Dance) | Jean Sibelius, Håvard Gimse | C Major | 2 | 8B | 91 BPM | ||
13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM |
Section: 0.7014939785003662
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