The Bartered Bride, Act III Scene VII: Marenka mine, Marenka mine!
Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, Paul Charles Clarke, Susan Gritton
Smetana: The Bartered Bride
4:31 October 1, 2005
BPM
72
Key
A♭ Major
Camelot
4B

Embed

Share Link

The Bartered Bride, Act III Scene VII: Marenka mine, Marenka mine! - Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, Paul Charles Clarke, Susan Gritton Information

Acousticness
92%
Danceability
44%
Energy
15%
Instrumentalness
0%
Liveness
60%
Loudness
62%
Speechiness
24%
Valence
19%
Popularity
Loudness
-22.863 dB

Summary

"The Bartered Bride, Act III Scene VII: Marenka mine, Marenka mine!" by Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, Paul Charles Clarke, Susan Gritton was released on October 1, 2005. With this song being about 5 minutes long, at 4:31, "The Bartered Bride, Act III Scene VII: Marenka mine, Marenka mine!" by Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, Paul Charles Clarke, Susan Gritton is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 44 in the song's album "Smetana: The Bartered Bride". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United Kingdom. The Bartered Bride, Act III Scene VII: Marenka mine, Marenka mine! is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

The Bartered Bride, Act III Scene VII: Marenka mine, Marenka mine! BPM

With The Bartered Bride, Act III Scene VII: Marenka mine, Marenka mine! by Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, Paul Charles Clarke, Susan Gritton having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

The Bartered Bride, Act III Scene VII: Marenka mine, Marenka mine! Key

A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Lyric Pieces, Book 1, Op. 12: I. Arietta by Edvard Grieg, Javier PerianesLyric Pieces, Book 1, Op. 12: I. AriettaEdvard Grieg, Javier PerianesB♭ Major06B72 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 1 (Arr. E. Guiraud): IV. SéguedilleGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezD Major010B176 BPM
Dalibor, JB 1:101, Act II, Scene 1: Dle této písně (Jitka, Vítek) by Bedřich Smetana, Štefa Petrová, Antonín Votava, Prague National Theatre Chorus, Prague National Theatre Orchestra, Jarmil Burghauser, Jaroslav KrombholcDalibor, JB 1:101, Act II, Scene 1: Dle této písně (Jitka, Vítek)Bedřich Smetana, Štefa Petrová, Antonín Votava, Prague National Theatre Chorus, Prague National Theatre Orchestra, Jarmil Burghauser, Jaroslav KrombholcD Major210B114 BPM
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78Felix Mendelssohn, Jan LisieckiG Minor06A168 BPM
La pentola magica, P. 129: Preludio by Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, AdrianoLa pentola magica, P. 129: PreludioOttorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, AdrianoD Minor07A91 BPM
Liebeslied Liebeslied "Widmung, von Robert Schumann", S. 566 (After Myrthen, Op. 25/1)Franz Liszt, Angela HewittG Major09B63 BPM
Scriabin: 24 Preludes, Op. 11: No. 21 in B Flat Major by Alexander Scriabin, Mikhail PletnevScriabin: 24 Preludes, Op. 11: No. 21 in B Flat MajorAlexander Scriabin, Mikhail PletnevE♭ Major05B70 BPM
Suite in D Minor, HWV 447: Allemande by George Frideric Handel, David GreilsammerSuite in D Minor, HWV 447: AllemandeGeorge Frideric Handel, David GreilsammerD Minor17A74 BPM
4 Lyric Pieces, Op. 74: No. 3 Auf dem Tanzvergnugen (The Pleasures of the Dance) by Jean Sibelius, Håvard Gimse4 Lyric Pieces, Op. 74: No. 3 Auf dem Tanzvergnugen (The Pleasures of the Dance)Jean Sibelius, Håvard GimseC Major28B91 BPM
13 Pieces, Op. 76: No. 2. Etude by Jean Sibelius, Olli Mustonen13 Pieces, Op. 76: No. 2. EtudeJean Sibelius, Olli MustonenG Major19B92 BPM
ISRC
GBLWD0510320
Label
L-M Records/RCA Records

Section: 0.7014939785003662

End: 0.7057421207427979